Product Description

The MPX550 offers high-end professional features and ?Lexicon Sound? at an affordable price. Like its predecessors, the MPX 550 is a true stereo processor that includes 24-bit analog-to-digital and digital-to-analog conversion. It relies on the proprietary LexiChip engine to perform 24-bit internal processing. Its 255 carefully-crafted presets feature legendary Lexicon reverb, as well as dual programs that combine two independent effects in four routing configurations. Tempo can be set using audio input, a dual footswitch, the front panel Tap button, or an external MIDI device. A powerful editing tool called Learn Mode allows patching of up to five front panel controls. To this, the MPX 550 adds impressive features such as balanced analog inputs and outputs, a large front panel display, four Edit knobs for simple parameter adjustment, and an internal power supply.Legendary Lexicon reverb from proprietary Lexichip?24-bit internal processing and A/D/A conversionSelectable 44.1 or 48kHz sampling rate255 presets and 64 User programs, including a Compressor BankDynamics algorithm with enhanced meteringS/PDIF I/O (may be set to wet or dry)Balanced analog I/O (XLR and 1/4 inch TRS)Simultaneous analog and digital outputsIndependent processing of each inputDual programs that combine two independent effects in four routing configurationsMultiple delay, modulation, and pitch effectsBuilt-in digital compressor with four adjustable parametersTap TempoF... ... Read more

Features

• Legendary Lexicon reverbs are represented in full force, with classic Plates, Gates/Inverses, Halls, Rooms, and Chambers that recreate the acoustics of actual live spaces and world-class Ambience for room sounds without reverb
• Inherited from the award-winning PCM 70, the Lexicon Chorus effect uses six independently randomized delay voices panned across the stereo field to create a rich, airy effect that can multiply a single source into many
• Lexicon Flange recreates the rich, sweeping sound of classic analog flanging by use of two 2-tap delays - one per channel

Product Description

Designed for TC's advanced multiband dynamics processors, it gives you the option of performing your fades via remote control directly in the output section of your Finalizer and Finalizer Plus. Thus you keep your signal in the digital domain and have no need for an analog fader. ... Read more

Features

• For the Finalizer, Finalizer Plus, and DBMAX
• Gives you the option of performing your fades via remote control directly in the output section of your Finalizer and Finalizer Plus
• Keeps your signal in the digital domain

Product Description

PreSonus extends the family of preamps with the Acousti-Q Tube Acoustic Instrument Preamp/EQ/Blender. Acousti-Q features two tube preamps for accommodating both pickup and condenser microphone inputs. An internal mixer allows the user to blend the two signals to XLR outputs. Next, the Acousti-Q provides a comprehensive EQ section that includes a tunable notch filter, Brilliance and Bass controls along with a sweepable midrange control. An external footswitch input allows the performer to mute the overall output and also engage a preset cut/boost for adjusting the overall volume without touching a knob. In addition, Acousti-Q has a stereo effects loop return for patching in outboard processing such as stereo reverb. Acousti-Q is housed in a 1/2U Rack steel chassis and can be rackmounted with an optional PreSonus BMRA Rack adapter which also accommodates the PreSonus BlueTube and BlueMax products. ... Read more

Features

• Instrument Preamp/EQ/Blender
• Acousti-Q features two tube preamps
• An internal mixer allows the user to blend the two signals to XLR outputs

Product Description

The Rane RA 30 Realtime Analyzer is a single rack space unit providing 30 bands of realtime frequency/amplitude information in a 5-LED per band format. The RA 30 has three functions: a realtime analyzer with pink noise generator, 1/3 octave increments at 1,3, or 6dB; an SPL meter with 1dB resolution and A or C weighted filters; and a stereo VU meter with 2 second peak hold and 1.5 dB resolution. Unit includes an electret condenser mic, MIC2. I/O includes a pink noise output jack, XLR aux mic input, & 1/4? TRS stereo line inputs. Features: RTA, SPL Meter, and Stereo VU Meter in one rack space. 30 IEC Class 2 Filter Bands from 25 Hz to 20 kHz. 5-color LED display per band. Digital Pink Noise generator. Flat-response Microphone and clip with 25-foot cable. +/-6, 3, 1 dB Selectable RTA Scale with Normalize function. Aux Microphone Input, Stereo or Mono Line Inputs. A- & C-weighting switch in SPL mode. Peak Hold function in stereo VU mode. Analyzer Sensitivity and Pink Noise Level controls. ... Read more

Product Description

The 882i unit features dual-mono operation with balanced XLR inputs and outputs. It is designed for applications requiring low noise, high headroom and +4dBu input levels. Applications include: professional recording studios; pro and semi-pro sound reinforcement; multitrack studios; cassette copies; nightclub sound systems; broadcast transmission. Features: +4dBu balanced line (1/4" tip-ring-sleeve and XLR inputs and outputs)+23dBu headroomActive balanced outputsHardwire bypassBypass switch for comparison of processed to unprocessed signalSpecifications: Process Mode: Program controlledBypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 0dBu inputSignal to Noise Rati 115dB Process INTHD, Process mode: less than 0.025% 20-20kHzBypass mode: less than 0.002% 20-20kHzMaximum Output: +23dBu (may vary due to control settings)Input Impedance: 14.7K Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal.Output Impedance: 600 Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal.Sensitivity: -45dBu for maximum processMaximum Process: +12dBu boost at 5kHz, 0dBu inputLo Contour: +12dBu adjustment at 50Hz, 0dBu input ... Read more

Features

• Professional recording studios
• Pro and semi-pro sound reinforcement
• Multitrack studios
• Cassette copies
• Nightclub sound systems

Product Description

Dual-engine digital sound processor with 256 sound effects20 bit A/D and D/A converters with 64/128 times oversampling for ultra-high resolutionInternal 20-bit processing with 44.1kHz sampling rate20 user program locations for personal edits storage4-band digital equalizer3-digit program and parameter LED display19 W x 1 3/4 H x 7 1/2 DShipping package dimensions: 22x10x3.5 (len x wid x dep) ... Read more

Features

• Dual engine digital sound processor with 256 sound effects
• 20 bit A/D and D/A converters with 64/128 times oversampling for ultra-high resolution
• Internal 20-bit processing with 44.1kHz sampling rate
• 20 user program locations for personal edits storage
• 4 band digital equalizer

Product Description

At first glance you'll notice these units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because dbx knows how difficult external power supplies can be to work with. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers feature 24 dB per octave filters.The dbx 234 features; TRS differentially balanced ins and outs; Mode switches for mono 4-way or stereo 2-way/3-way operation; Low frequency summed (subwoofer) output; x10 range switch on both channels; 40 Hz high pass (low cut) filter both channels; Phase reverse switch on all outputs; individual level controls on all band outputs; 24 dB per octave Linkwitz-Riley filters (the professional standard); Stereo/Mono status LEDs indicate the selected mode; dbx 2 year parts and labor as standard. ... Read more

Features

• 1/4" TRS differentially balanced inputs and outputs
• Phase reverse switch on all outputs
• Individual level controls on all band outputs
• 24 dB per octave Linkwitz-Riley filters (the professional standard)
• DBX® 2-year parts and labor warranty as standard

Product Description

Crossovers provide precise frequency dividing for multi-amplified speaker applications. This one will give superior performance with transparent audio. Features include a shielded internal power supply with AC voltage select switch (115V/60Hz or 230V/50Hz), phase inversion switches, low-cut subsonic filters for low-frequency driver protection, and servo-balanced XLR inputs. ... Read more

Features

• Precise frequency dividing for multi-amplified speaker applications
• Shielded internal power supply with AC voltage select switch (115V/60Hz or 230V/50Hz)
• Phase inversion switches
• Low-cut subsonic filters
• Servo-balanced XLR inputs.

Product Description

The 362SW combines a full-featured BBE SONIC MAXIMIZER? signal processor and an independent subwoofer control with a variable low-pass filter and output level control. Ideal for music playback systems in studios, nightclubs and theaters, or mobile DJ sound systems with added sub woofer. Also works well for live band sound reinforcement, bass guitar and keyboard rigs, or just about any sound system with a sub woofer! Features:"Sub Woofer Control" with a variable low-pass filter (30-120Hz) BBE SONIC MAXIMIZER? signal processor for increased clarity and definition Unbalanced 1/4" and RCA inputs and outputs LED meter displays and CLIP indicators Specifications:Frequency Response: 5Hz to 30kHz Process: Program controlled Signal to Noise Rati 108dB process in/120dB process out Total Harmonic Distortion in Process Mode: less than 0.1% at-1KHz Input Impedance: 47K Ohms Nominal Input Level: -10dBu Minimum Load Impedance for Full Output Level: 1K Ohms Nominal Output Level: -10dBu Maximum Output Level: +16dBu ... Read more

Features

• Subwoofer Control w/variable low-pass filter (30-120Hz)
• Ideal for any system with a subwoofer
• Unbalanced 1/4" and RCA inputs and outputs
• Full-fledge Sonic Maximizer for clarity & definition
• Single rackspace size

Product Description

The XL Reverb Technology benefits from the TC Reverb heritage and takes advantage of both complex Early reflection patterns and dense Reverb decays in order to bring more natural reverbs to all applications. This technological development combined with XLR connectors make the M-One XL especially suited for LIVE applications! The essence of the M-One XL, the XL Technology, is based on TC's heritage and continual research and development of Reverb technology. XL Reverbs feature new and improved spatial perspectives, across the entire range of Reverb algorithms. The extended range of the "reverb size" enables extremely wide or narrow spatial imaging, independently of the decay time. By applying "Reverb size" to both Early Reflections and the Diffused field, the M-One XL achieves any combination from wide spaces with short decay times, to narrow rooms with long decays. Use the M-One XL 's to run two of the best sounding reverbs or other quality effects simultaneously without compromising sound. The Easy Parameter Level gives you more flexibility to create cool effects and control of all important parameters right at your fingertips. ... Read more

Features

• XL reverb technology
• Early reflections, diffused fields, and modulations
• Realistically simulates small rooms
• 200 high-grade factory presets
• Stores up to 100 favorite presets in the user bank

Product Description

Pro-quality vocal harmony and reverb for stage and studio ... Read more

Features

• HybridShift® harmony generation for smooth, natural sound
• 4 independent harmony voices, 4 distinct harmony modes: scale, chord, shift, and MIDI notes
• 2 lead-voice thickening voices -- one above, one below
• Humanization of harmony voices utilizing: FlexTime®, vibrato, inflection, pitch randomization, portamento
• TC Electronic compressor/gate

Product Description

The ThreeQ takes a microphone or instrument, amplifies it, compresses and equalizes it ready to be recorded. Simple to use yet extremely powerful, the threeQ will bring out the best in any microphone or instrument and give the gloss of a professional studio production to all your performances. As well as recording it will also be found useful for live work. ... Read more

Features

• Half Rack EQ/Compressor/Mic Pre

Product Description

The Rane AC 22B Active Crossover is configurable as Stereo 2-Way or Mono 3-Way. They employ state-variable 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties in the critical crossover region. The model AC 22B uses XLR connectors with active balanced inputs and outputs.Simply put, a Linkwitz-Riley alignment is two cascaded 2nd-order Butterworth filters exhibiting identical phase characteristics on their Low pass and High pass Outputs. This guarantees in-phase outputs at all frequencies, mandatory for proper acoustic summing of common signals from adjacent drivers in the crossover region. An added benefit of this topology is steep 24 dB per octave rolloff slopes. A slope of this magnitude guarantees drivers designed to produce a specific range of frequencies, and no more, will not be driven past their limits, thereby minimizing distortion and driver fatigue.To further guarantee the transparent operation of the AC 22, adjustable time Delay circuits appear on the Low (and Mid when used in 3-Way mode) Outputs of each Channel to compensate for any physical misalignment of the drivers. Time correction ensures the mechanical phase alignment of adjacent drivers will be acoustically correct, thus maintaining the integrity of the electrical phase alignment of the crossover's filters. The Low Delay circuit may be internally transplanted to the High Output when neccessary. CD horn equalization is also possible with an internal modification. A Mono Subwoof... ... Read more

Features

• Simply put, a Linkwitz-Riley alignment is two cascaded 2nd-order Butterworth filters exhibiting identical phase characteristics on their Low pass and High pass Outputs
• This guarantees in-phase outputs at all frequencies, mandatory for proper acoustic summing of common signals from adjacent drivers in the crossover region
• An added benefit of this topology is steep 24 dB per octave rolloff slopes
• A slope of this magnitude guarantees drivers designed to produce a specific range of frequencies, and no more, will not be driven past their limits, thereby minimizing distortion and driver fatigue

Product Description

The Rane ME 60 is a two channel, 1/3-octave contstant Q micrographic equalizer. The ME 60 utilizes compact 20 mm sliders. Two adjustable band-limiting filters add to each Channels' versatility. The Low Cut filter has a range from 10 Hz to 250 Hz, and the High Cut filter sweeps from 3 kHz to 40 kHz, rolling off unwanted frequencies at both ends of the spectrum.The active filter sections feature Rane's innovative constant-Q (constant bandwidth) design. This means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts.Front panel controls and indicators, aside from the sliders, include an overall Level control for each Channel as well as Overload indicators and passive Bypass switches. The rear of the unit provides 1/4" Tip-Ring-Sleeve phone, RCA phono, and XLR connectors for each of the Inputs and Outputs. The Inputs and Outputs are fully actively balanced (except the RCA's). Unbalanced sources may be connected through the use of either mono 1/4" TS connectors or by tying the ring to the sleeve on 1/4" TRS plugs. ... Read more

Product Description

Creates 4-voice harmonies and 4 harmony modes and provides transparent pitch correction, fat automatic double-tracking, all so realistic you can solo them with confidence. It also includes superb TC Electronic effects and new HarmonyHold which lets you freeze your backing harmonies while you sing over them. ... Read more

Features

• HybridShift harmony generation for smooth, natural sound
• 4 independent harmony voices, 4 distinct harmony modes: scale, chord, shift, and MIDI notes
• 2 lead-voice thickening voices -- one above, one below
• Humanization of harmony voices utilizing: FlexTime, vibrato, inflection, pitch randomization, portamento
• TC Electronic compressor/gate

Product Description

The user interface for the 960L is a totally redesigned and enhanced LARC2 remote controller. Fashioned after the original LARC, which sits atop the leading recording and post-production consoles throughout the world, the new LARC2 provides a simple and intuitive user interface based on the world standard 480L. A variety of input control devices are provided for maximum control and these can be custom tailored for additional flexibility. Lexicon commissioned an award-winning industrial design company to co-develop the LARC2. Featuring a highly-stylized design with a large, easy-to-read color backlit LCD display, the LARC2 has eight touch-sensitive motorized faders, a two-axis joystick for surround sound panning/placement control, eight soft and twenty-nine dedicated function keys. Using this extensive array of controls, the user has instant access to a variety of parameters including machine and system status, fader label/value, soft key, machine setup/select, system control/edit, mute/bypass and joystick control. The LARC2 also features an extremely small footprint (8" x 10.5" x 5.5") and may be located several hundred feet from the 960L CPU. A second LARC2 allows shared control of a single 960L mainframe. ... Read more

Product Description

Let?s take a look at the construction features of the dbx? 223XL. As you turn the controls you will notice that these units are extremely well built. The controls exude great precision, and the feel is a solid ?click?. Also, when you open the box, you won?t find the external power supply that accompanies most processors in this price range. That?s because we know how difficult external power supplies can be to work with and even though it costs a little more, we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLRs that are screwed directly to the chassis. This connection of the jacks to the chassis insures that even if someone stomps on a cable plugged into the unit, it?s not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect?Via a switch on the back panel, you first select whether you?re operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we would... ... Read more

Features

• Low frequency summed (subwoofer) output
• x10 range switch on both channels
• 40Hz high pass (low cut) filter both channels
• Phase reverse switch on all outputs
• Individual level controls on all outputs

Product Description

The newest addition to the 960L family- a stereo version of Lexicon's flagship multi-channel digital effects system. The 960LS is similar to the 960L without the multi-channel processing and AES/EBU digital I/O. But, Multi-Channel Processing software and AES/EBU digital I/O cards are available as separate options. The 960LS supports the Automation option, and, when Multi-Channel Processing is enabled, the LOGIC7 UpMix option.For over twenty years, Lexicon has been revered as the industry leader in digital reverb. From the groundbreaking model 224 in 1979, to the industry standard 480L in 1986, Lexicon has continued to build the world's best sounding reverbs at any price. But the world has quickly embraced multi-channel sound as successful new formats like DVD have given rise to the need for world-class surround reverbs in addition to world-class stereo reverbs.Enter the 960L Multi-Channel Digital Effects System.The 960L sets the new industry standard for stereo and multi-channel reverbs while providing enough flexibility to grow as formats evolve. With support for 16 channels of I/O, the 960L meets the demands of any application today with ample flexibility to address the demands of tomorrow. A built-in CD-ROM allows for easy software upgrades ensuring that the 960L will remain at the cutting edge of performance and sound quality well into the future. ... Read more

Product Description

The PCM 81 Digital Effects Processor has everything that made the PCM 80 the top choice among studio effects processors ? and more. More effects, more algorithms, longer delay, and full AES/EBU I/O. Each effect has an uncompromised stereo reverb with several voices of additional effects. A full complement of Pitch Shifters provides doubling, quadruple-tracking, chorus, and pitch correction within a range of up to three octaves (up or down) - in one cent increments, as well as unique special effects. 300 presets give you instant access to pitch, reverb, ambience, sophisticated modulators, over 21 seconds of delay time, and dynamic spatialization effects for 2-channel or surround applications.The PCM 81 features two digital signal processors: Lexicon's proprietary Lexichip?, to run the reverbs, and a second DSP engine to handle the other effects. With 24-bit internal processing, a true stereo signal path, balanced analog I/O, full AES/EBU and S/PDIF digital I/O, the ability to mix analog and digital inputs together, and extensive modulation capabilities, the PCM 81 offers an enormous range of studio quality effects.Pitch FX and Vocal Fix algorithms and presets (available for the PCM 80 on PC cards) are built into the PCM 81. Adding Lexicon's Dual FX algorithm card and preset cards for the PCM 80 (which all work with the 81) increases the number of algorithms to over 40 and the number of presets to nearly 800.All of the features of the PCM 80 PLUS built-in PIT... ... Read more

Product Description

4 CH OF -10DBV TO +4DBU CONVERSION, RCA & XLR I/O; EXPANDABLE WITH OPTION 88 ... Read more