Product Description

Lexicon's flagship multi-channel digital effects system. The 960L supports 8 channels of balanced analog I/O and 8 channels of AES/EBU digital I/O in various configurations. It comes standard with one DSP card and provides support for an optional second DSP card that doubles the available processing power. It now comes standard with Automation and LOGIC7 UpMix? options.For over twenty years, Lexicon has been revered as the industry leader in digital reverb. From the groundbreaking model 224 in 1979, to the industry standard 480L in 1986, Lexicon has continued to build the world's best sounding reverbs at any price. But the world has quickly embraced multi-channel sound as successful new formats like DVD have given rise to the need for world-class surround reverbs in addition to world-class stereo reverbs.Enter the 960L Multi-Channel Digital Effects System.The 960L sets the new industry standard for stereo and multi-channel reverbs while providing enough flexibility to grow as formats evolve. With support for 16 channels of I/O, the 960L meets the demands of any application today with ample flexibility to address the demands of tomorrow. A built-in CD-ROM allows for easy software upgrades ensuring that the 960L will remain at the cutting edge of performance and sound quality well into the future. ... Read more

Product Description

With added functionality and enhanced audio performance, the AR-133 has been designed to be more affordable for musicians, studios and PA companies. The unit includes phantom power and battery supplies as standard. Should the phantom power from the console fail or be accidentally switched off, the AR-133 automatically switches over to the internal 9V battery providing uninterrupted use. The unit is housed in a rugged aluminium extrusion case, with robust polyurethane end-cheeks which give the AR-133 a very distinctive look.  Input connectors are both 1/4" jack sockets and an XLR socket, the latter meaning that the AR-133 can be used to convert unbalanced signals to a balanced output on XLRs throughout. The arched case allows cables to run back underneath the unit from the end for neat cable management.  Input attenuation is 0, -20 or -40dB, making the box suitable for instrument,  line or amplifier levels on inputs. On the output side, a ground-lift switch is provided for quick solutions to ground-loop problems.  The AR-133 uses an enhanced version of the same audio path as the AR-116, now regarded by many people as a reference standard. The sound quality is legendary, particularly on acoustic and bass guitars.  Numerous applications can be satisfied by the AR-133. For example, as well as the traditional guitar use, the AR-133 can be used with keyboards, DJ consoles, amplifier outputs, and other electronic sources. ... Read more

Product Description

Vocal Processor w/Voice Modeling & Pitch Shifting ... Read more

Features

• DIGITAL INPUTS & OUTPUTS
• Connectors: RCA Phono (S/PDIF)
• Formats: S/PDIF (24 bit), EIAJ CP-340, IEC 958
• Output Dither: HPF/TPDF dither 24/20/16/8 bit
• Sample Rates: 44

Product Description

1/3 octave, 31-band, constant- Q equalizer housed in a 2 rack space, all-steel chassis. It includes a shielded internal power supply, balanced XLR and 1/4' I/O. Also features a low cut filter at 50Hz with a 12dB/octave slope. ... Read more

Features

• Two space 31 band equalizer
• Constant Q
• Low cut filter at 50Hz with a 12dB/Octave Slope
• Balanced XLR inputs and outputs
• Balanced 1/4â inputs and Impedance Balanced 1/4â outputs

Product Description

When the term "graphic equalizer" was first coined, the intent was to provide a device that allowed the user to "draw" the desired frequency response using slider controls on the unit's front panel. Thus, the Holy Grail of graphic equalizers is a device with a response that truly matches the slider settings. For years, this seemingly unobtainable goal resulted in products based on the fine art of compromise - until now - until the DEQ 60.It's not Constant - not Proportional - It's Perfect! Digital Signal Processing (DSP) allows filter technology not possible with analog designs. Rane coined the term Perfect-QTM Features: * Perfect-Q : What You See Is What You Get * No EQ filter interaction * Proportional-Q: Classic smooth response * Independent Accelerated-Slope 3-band full-cut tone controls * Low-cut and High-cut filters * Input and Output Level controls * Eight segment metering for each Input and Output * Two Boost / Cut ranges: ±6 dB or ±12 dB * Each channel may use A or B channel controls o Stereo Linking o Two "analog memories" o A-curve / B-curve comparison * 25 mm sliders with soft-touch faders * Analog controlled DSP * XLR, 1/4" TRS and Euroblock connectors * Bypass switch (DSP), Bypass relay (power failure) * Exceptional RF and magnetic immunity * Universal internal switching power supply * Includes 3.5" security cover Specifications: Construction: All Steel Size: 3.5"H x 19"W x 5.25"D (2U) ... Read more

Product Description

Combining familiar front panel controls with the accuracy and performance of digital signal processing, Raneâs full-featured, high performance G4 Quad Gate is suitable for use in a variety of demanding dynamics processing applications. Gating, ducking and downward expansion modes are offered, together with internal high- and low-cut filters and external side-chain inputs. It is the ideal tool for front of house, monitor, instrument and voice processing, broadcast and recording.Internal or external side-chain key input, built-in side-chain filtering, side-chain listen, look-ahead signal detection and advanced metering combine with properly defined threshold, attack, decay, hold, and depth controls to provide the necessary tools for unsurpassed flexibility and performance. XLR and 1/4in. inputs and outputs. ... Read more

Product Description

The LT 22 is a line-level two channel isolation box. Each channel contains a low distortion, high output, wide bandwidth, nickel-core output transformer. The LT 22 is an easy and convenient way to add output transformers to any line-level equipment. The Inputs and Outputs may be configured as balanced or unbalanced as required. The LT 22 is the quick and affordable answer to all jobs requiring output balancing or isolation transformers. The Euroblock connections provide maximum installation flexibility and cost savings. ... Read more

Product Description

The SR431 QXLR is a single rack space, 31 band 1/3 octave graphic equalizer. Its fully shielded internal transformer provides extremely quiet operation. and like all of the SR line of equalizers, it has constant Q filters. ... Read more

Features

• Features
• Dual 31 band equalizer
• Constant Q

Product Description

A 4-channel rack-mount Direct Box that converts a line, instrument or speaker level signal to a low impedance mic level. Channel inputs are Hi-Z bridging and each has three 1/4" jacks (2 on rear of unit for easy patching). Each channel has a 20dB pad switch as well as a ground lift switch. Utilizes the TRHL-M transformer. Specifications: Frequency Response: 20 to 20k Hz. ± 1dB Input Impedance: 20 KOhm Output Impedance: 150 Ohm Signal Loss (I/O): - 20 dB, (- 40dB pad in) Dimensions:: 19?W (482.6mm) 1.75?H (44.5mm) 5.25?D (133.4mm) Shipping Weight: 6.5 lbs. (2.95kg) Unit Weight: 5.0 lbs. (2.27kg) ... Read more

Product Description

Advances in digital recording technology are providing users with tremendous power and flexibility for increasingly less money. All too often, however, the audio quality of these systems is limited by their input stages. Many users who demand the power and flexibility of today’s recording technology find themselves yearning for the warmth and tone of yesteryear’s hand-built analog circuitry. Now with the release of the 6176, Universal Audio, for the first time, combines their highly acclaimed 610 tube microphone preamp with their legendary 1176LN compressor to create the ultimate single channel signal path for everything from vocals to vibraphones. 610B Mic PreThe 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it “hands-down, the most dimensional mic preamp I've ever heard...” Peter Wade, engineer/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, “This box rocks.” The 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch. 1176LN Limiting Amplifier ... Read more

Product Description

The 1231 EQ provides standard features like dual-channels, 31 1/3 octave bands, ISO frequency centers, +/- 12 dB input gain range, and switchable 40Hz/18 dB per octave low-cut filters, but also includes other insightful features. These include 45 mm faders; selectable +/-6dB or +/-15dB boost/cut range for precise gain adjustments; XLR, barrier strip, and 1/4'' TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 12 Series makes your job easier.Precision engineered to provide years of maintenance-free operation in any application. The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps the dbx engineers took to ensure compatibility for all installations. Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0.005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz. All this attention to detail is contained in a 2U steel/aluminum chassis. ... Read more

Features

• The dbx 12 Series Equalizers were precision engineered to provide years of maintenance-free operation in any application
• The magnetically isolated transformer, electronically balanced/unbalanced inputs and servo balanced/unbalanced outputs, RF-filtered inputs and outputs, and power-off hard-wire relay bypass with 2 second power up delay were steps our engineers took to ensure compatibility for all installations
• Only the best components were utilized, yielding a 10Hz to 50kHz frequency response, greater than 90dB SNR (ref +4dBu), less than 0
• 005% THD +Noise (1kHz at +4dBu), and interchannel crosstalk of less than -80dB from 20Hz to 20kHz
• All this attention to detail is contained in a 3U steel/aluminum chassis

Product Description

The ACP88 gives you total dynamics control for multi-tracking and live sound reinforcement. Eight compressor/limiters deliver transparent dynamics control. Eight full featured gates seamlessly control unwanted noise and bleed-through. Control vocals, tame drums, protect speakers, tighten the low-end ? all from just two rack spaces of powerful processing.Eight Full Featured Compressor/LimitersEight Full Featured GatesSide Chain on Every ChannelTrigger Inputs on Every ChannelBalanced/Unbalanced I/OComprehensive Linking via Unique Power Summing BusTakes the Place of Multiple ProcessorsCrystal Clear Compression & Gating for Multi-Tracking & Live SoundAllows Spectral Processing & Gate Keying via Separate Jacks+4/-10 Stereo Operating LevelNumber of Channels: Eight115dB95dBHeadroom: +24dBu, Unbalanced; +18dBu, BalancedFrequency Response: 10Hz to 50kHzCrosstalk: <82dB @10kHzCompression Threshold Range: -40dBu to +20dBuCompression Ratio: 1:1 to 20:1Compressor Attack Time: 0.02ms to 200 msCompressor Release Time: 0.5ms to 500msAuto Attack and Release: Program DependentGate Threshold Range: -70dBu to +20dBuGate Attack Time: 0.01ms to 100msGate Release Time: 0.02ms to 2 secGate Attenuation Range: -15dB or -60dBInput Impedance: 10k OhmsOutput Impedance: 51 OhmsTHD + Noise: <0.02%Output Gain: -20dB to +20dBCompression Curve Types: Hard and Soft KneeCompression Metering: Above/Below Threshold LEDGate Metering: Op... ... Read more

Features

• 8 full-featured compressor/limiters
• 8 full-featured gates
• Side chain on every channel
• Trigger inputs on every channel
• Balanced/unbalanced 1/4" I/O

Product Description

Designed principally as an affordable, high-specification dual mono/stereo tracking device, TT Pro (as it's affectionately known) also boasts comprehensive latency-free monitoring, unmatched digital connectivity, and all within a sturdy 2U 19" rack-mount chassis.Each channel features Focusrite's award-winning Platinum pre amp, embellished with the option of instant 'air' and variable input impedance for improved microphone performance and extended creativity. A mid-scoop EQ follows, and provides variable frequency and depth of cut for vocal problem solving and miked-up cabinet ambienceIn pride of place is TT Pro's powerful dual mono/stereo optical compressor. This optical compressor features Focusrite's custom fast-acting optos, alongside side-chain inputs and the ability to operate as a true 'twinned' stereo pair. These circuit design innovations are complemented by a comprehensive set of focussed controls.TT Pro is the first Platinum to feature a D/A converter as standard, alongside its optional analogue to digital converter. The D/A converter enables the user to feed mono or stereo digital signals into TT Pro. These signals can be fed either into the stereo latency-free monitoring section, or via line inputs (post- the pre amp stage) for further processing. The signal can then return to the digital audio workstation via Focusrite's established stereo A/D converter option. ... Read more

Features

• Stereo latency-free monitoring section
• Vintage Harmonics vocal enhancer
• Optional 24-bit/96kHz A/D converter
• Custom Focusrite VU meter
• Compressor/EQ/Harmonics order can be changed

Product Description

Bass PODXTProgives you world-class tone from the stage to the studio. With over 50 must-have stompbox, studio, and synth effects with flexible routing (6 simultaneous), and over 28 classic and modern amp models, Bass PODXTProhas everything you'll need to create a monstrous bass tone.With its XLR and 1/4-inch outs, 24-bit/96k digital ins and outs (AES/EBU & S/PDIF), and effects loop, you'll be able to connect to any type of analog, digital, or computer audio hardware. We think that you'll agree that Bass PODXTProis about the most amazing thing to happen to the bass guitar since, well, the bass amplifier itself.The tone and technology of Bass PODXTProcomes to you as 28 Amp, 22 Cab, and over 50 Effect Models (with flexible pre/post routing) based on a collection of gear recognized by guitarists and bassists the world over as true "tone classics." These models were tweaked through careful, scientific A/B comparisons to the gear that inspired them, with an ear open for the effects of different volume levels and settings of the originals’ tone and gain controls.But wait - there's more! Bass PODXTProhas our newest-generation A.I.R. II cabinet/microphone modeling which allows you to choose from 4 different classic mic models and even adjust how much of the room sound you hear! There's even a dedicated studio-quality compressor, full-time semi-parametric EQ, and a Bi-amp (low/high) output mode. ... Read more

Features

• 28 Legendary and Classic Amp Models
• 22 Cab & 4 Mic models
• Over 50 Stompbox, Synth, and Studio Effects
• Flexible Effect Routing
• 64 Channel Memories

Product Description

It's amazing. One little button. So much effect. dbx® Type III® Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (DBX's chief engineer) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. PeakPlus® Limiter - Who knows more about limiting than the folks at DBX? So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing. ... Read more

Features

• Revolutionary instant encode / decode Type III® noise reduction in-circuit at the push of a button. Increases S/N ratio by up to 20 dB
• Patent-pending PeakPlus® Limiter threshold range from 0 dBu to +24 dBu (off) can transparently tame the wildest hits or the subtlest nuances of any signal
• An extremely high-quality EQ, patent-pending Type III Noise Reduction, and the elegant new PeakPlus Limiter all in one great-sounding box
• Four segment LED bargraph for BOTH gain reduction and output level offers the most comprehensive visual feedback available
• Status LEDs offer visual feedback for all settings on the front panel

Product Description

The dbx1066 is the Stereo Compressor/Limiter/Gate of the 90's. After producing the world's most renown series of compressors, the task of producing a new compressor worthy of their reputation would be daunting for most engineers. Not for dbx. Their engineers know audio like no one else in the world. Now the fruits of their talents are available to you in the form of the 1066 Stereo Compressor/Limiter/Gate.Want to instantly add Color that classic dbx response to your mix? It's there at the touch of the "Auto" button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path? Frequency dependent gain control is a snap to set up and execute with the Side Chain External button (SC Ext). Use the Side Chain Monitor button (SC Mon) and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become their standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.For overall speaker protection, our new PeakStopPlus does all previous circuits one better. With a new design, the PeakStopPlus represses those unwanted transients from blowing your drivers while minimizing the distortion common to many other "hard"... ... Read more

Features

• Input
• Connectors: XLR and 1/4
• Type: Electronically balanced/unbalanced, RF filtered
• Impedance: Balanced > 50 kOhm, unbalanced > 25 kOhm
• Max Input Level: > +24 dBu balanced or unbalanced

Product Description

Encompassing a heritage of more than 20 years of delivering professional tools to the pro audio industry, TC Electronic now proudly presents a highend vocal processing tool. ... Read more

Product Description

With the new TAPCO Squeez SQ?2, you get two channels of smooth, natural compression and gating, plus an adjustable Air filter for that classic studio vocal sound of the 60s and 70s. The Compressor section offers both auto soft-knee and hard-knee curves, while the Soft Gate employs an expander function at the threshold. Finally, the adjustable Air filter adds natural top-end as you compress, letting you dial in vintage vocal or guitar sounds without finicky old gear.Features:? 2-channel compressor/gate with smooth, musical sound? Auto Soft-Knee/Hard-Knee curves depending on compression setting? New adjustable Air filter adds natural high-end for classic studio compression sounds (a la Motown records)? Soft Gate circuitry provides expansion at the threshold to eliminate clipped gated sounds? Individual Threshold, Ratio, Attack, and Release controls per channel? Output gain compensation controls? Auto attack/release function with indicator? Individual Channel In/Out button and indicator? Precision 8-segment Gain Reduction meters? XLR/TRS and Side Chain connections? Selectable Line voltage (115/230V) ... Read more

Features

• 2ch Compressor/gate with smooth, musical sound
• Air filter adds natural high-end for classic sound
• Auto Knee curves depend on compression setting
• Output gain compensation controls
• XLR/TRS and Side Chain connections

Product Description

The Rane GE30 is a single-channel 1/3 octave graphic equalizer. Housed in a 2 rackspace unit, the GE30 features long throw (60mm) high resolution slide controls on each filter band ensuring good resolution over their entire range. The operating mode can be Boost/Cut, or by pressing a button on the rear panel, convert to be Cut-only. Another button on the rear panel allows the operator to select active balanced or transformer balanced output. The active filter sections of the GE30 are of the constant bandwidth (Constant-Q) variety. The bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. The bandwidth has also been carefully selected to ensure that two adjacent filters my be used to achieve curves with peaks in between the center frequencies of the filters. Front panel controls and indicators, aside from the 30 filter controls include an overall Level control as well as Signal present and Overload indicators. Sweepable band-limiting Filters are provided on the front panel, covering a range of 10Hz to 250Hz on the Low end and 3.1kHz to 40kHz on the High end. The rear of the unit provides an XLR balanced Input, an XLR balanced Output and screw terminal which duplicate both. Signal ground and chassis ground terminals are also available thus ensuring complete interconnect flexibility. ... Read more

Features

• Adjustable low / high filters
• Power failure auto-bypass
• Security panel included
• Shipping Weight: 12.05 lbs

Product Description

The PCM 81 Digital Effects Processor has everything that made the PCM 80 the top choice among studio effects processors ? and more. More effects, more algorithms, longer delay, and full AES/EBU I/O. Each effect has an uncompromised stereo reverb with several voices of additional effects. A full complement of Pitch Shifters provides doubling, quadruple-tracking, chorus, and pitch correction within a range of up to three octaves (up or down) - in one cent increments, as well as unique special effects. 300 presets give you instant access to pitch, reverb, ambience, sophisticated modulators, over 21 seconds of delay time, and dynamic spatialization effects for 2-channel or surround applications.The PCM 81 features two digital signal processors: Lexicon's proprietary Lexichip?, to run the reverbs, and a second DSP engine to handle the other effects. With 24-bit internal processing, a true stereo signal path, balanced analog I/O, full AES/EBU and S/PDIF digital I/O, the ability to mix analog and digital inputs together, and extensive modulation capabilities, the PCM 81 offers an enormous range of studio quality effects.Pitch FX and Vocal Fix algorithms and presets (available for the PCM 80 on PC cards) are built into the PCM 81. Adding Lexicon's Dual FX algorithm card and preset cards for the PCM 80 (which all work with the 81) increases the number of algorithms to over 40 and the number of presets to nearly 800.All of the features of the PCM 80 PLUS built-in PIT... ... Read more