Product Description

The EQU215 is designed to be useful for a wide range of frequency-related audio reinforcement applications. It features 6dB/12dB selectable control range, bypass function, switchable hi- and low-pass filters, signal clip pilot, ground lift, selectable (115Vac/230Vac) line voltage, and balanced XLR, TRS, and RCA I/O. ... Read more

Features

• Control range 6dB/12dB selectable
• Bypass function
• Switchable hi- and low-pass filters
• Balanced XLR, TRS, and RCA I/O
• Signal clip pilot

Product Description

Postproduction houses and broadcast companies know the secret to noise-free digital conversion: take the conversion out of the computer. Electrically, the inside of a computer is very problematic when it comes to audio production. By using external digital converters, interference and noise created by the computer itself are eliminated.The SUPER DAC 2496 is the perfect external converter for an incredibly low price. Features include: full 24-bit, 96kHz digital-to-analog conversion; optical (TOSlink) S/PDIF, coaxial S/PDIF, and AES/EBU digital formats; plus balanced XLR and unbalanced 1/4" analog outputs. ... Read more

Features

• Features:
• High-performance stereo D/A converter in a standard half-rack package
• D/A converter: 24-bit, 96kHz, 128x oversampling
• Dynamic range: 115dB (A-weighted)
• 16-, 18-, 20-, and 24-bit data widths

Product Description

The Radial J48 is a great sounding active direct box that has been optimized to produce maximum headroom while working within the limited current available from standard 48V phantom power. By employing a unique switching power supply, the J48 is capable of peak transients to 9 volts without choking. The result is lower harmonic distortion, half the inter-modulation distortion and significantly improved dynamics over other DIs.Features include a -15dB pad, 180 degree polarity reverse, a unique merge function to mix 2 signals to mono, an 80Hz high-pass rumble filter, and ground lift. Like all Radial products, the J48 is built to handle the abuse on the road and features a unique welded I-beam construction for years of trouble free performance. ... Read more

Features

• Active 48-Volt phantom powered direct box
• -15dB pad
• 180 degree polarity reverse
• Merge function to mix 2 signals to mono
• 80Hz high-pass rumble filter

Product Description

Most compressor/gates provide less than musical compression, coupled with gating that swallows transients-or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.When using the 266XL's AutoDynamic Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow "leveling" to aggressive "peak" limiting.The Auto Dynamic circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren't restricted to using the Attack and Release controls only in "peak" operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple "single-purpose" limiters while sound reinforcement users can standardize on the 266XL for all of their applications.The 266XL's advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics-even with complex signals, such as voice or reverb deca... ... Read more

Features

• Easy operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes
• New gate timing algorithms ensure the smoothest release characteristics
• Program-adaptive expander/gates
• Great sounding dynamics control for any type of program material
• Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup

Product Description

The DMS 22 is a dual channel studio-grade microphone stage with equalization and a stereo mixer. Perfect for studio recording in direct-to-tape or hard disk applications, the audio quality surpasses that found in most professional mixing consoles. The DMS 22 is useful in installations when comprehensive mic equalization is required. Each XLR microphone Input features switchable 48v Phantom Power, Polarity Invert switch, and Input Gain control. Balanced, line-level 1/4" TRS Outputs with Level controls are provided for each Channel. Pan controls (defeatable) send to a separate XLR stereo pair of Mix Outputs, allowing a stereo mix of the two microphones when hard left/right is not appropriate. A 3-band Equalizer on each Channel offers a broad palette of tonal control (activated with the EQ Engage switch). Accelerated-Slope (U.S. Patent 5,046,105) tone controls provide steep phase-corrected slopes that eliminate most of the traditional interaction between shelving and midband controls. Shelving frequencies are switch selectable for High (7 kHz and 12 kHz) and Low (50 Hz and 100 Hz) controls. A parametric Mid band provides sweepable frequency and selectable bandwidth. Each Output features a selectable 15/50/100 Hz Low Frequency Filter to remove mic bumps and rumble that might otherwise overload a good recording. ... Read more

Product Description

SPECIAL Close Out Pricing, Limited Quantities!! The 531E is a purist’s dream - audiophile sound quality, an uncluttered control surface, and rugged reliability in one package. It offers thirty-one filter bandson ISO 1/3rd-octave centers. Through the use of a global range switch, each band delivers either +/- 6dB or +/- 12dB of cut or boost. The grounded center detent position on each band serves as an on/off switch that completely removes that band from the audio signal path. In addition, a12dB per octave High Cut and Low Cut filters is provided. Each has a sweepable cutoff frequency and a control range that extends well into the sub/ultrasonic. ... Read more

Product Description

Shure’s DFR has quickly become the industry standard for effective feedback reduction. The DFR22 builds on that reputation to provide an affordable full-featured 2x2 audio processor with Shure’s drag-and-drop software. It’s much more than feedback reduction. For many jobs, it’s the only audio processor you’ll need. Featuring enhancements to Shure’s patented Adaptive Notch Filter Algorithm, the DFR22 includes single-channel and stereo processing blocks with up to 16 precision notch filters that automatically seek out and reduce feedback. With widths between 1/10 and 1/70 of an octave, these adaptive filters affect only the problem frequencies, maximizing system stability and sound integrity. In addition, Auto Clear mode removes dynamic filters and restores the DFR to your ideally-tuned configuration after a specified amount of time. The DFR22 has all of the DSP processing you need to ensure the highest quality audio. Processing blocks in the DFR22 can be applied in any order, to any input or output. You can also link processors for more efficient global control. Copy and paste processing blocks to any input or output to duplicate processors across multiple channels. With the DFR22, you can design the entire system, save it to disk, and load it at the job site for easy setup. ... Read more

Product Description

PreSonus extends the family of preamps with the Acousti-Q Tube Acoustic Instrument Preamp/EQ/Blender. Acousti-Q features two tube preamps for accommodating both pickup and condenser microphone inputs. An internal mixer allows the user to blend the two signals to XLR outputs. Next, the Acousti-Q provides a comprehensive EQ section that includes a tunable notch filter, Brilliance and Bass controls along with a sweepable midrange control. An external footswitch input allows the performer to mute the overall output and also engage a preset cut/boost for adjusting the overall volume without touching a knob. In addition, Acousti-Q has a stereo effects loop return for patching in outboard processing such as stereo reverb. Acousti-Q is housed in a 1/2U Rack steel chassis and can be rackmounted with an optional PreSonus BMRA Rack adapter which also accommodates the PreSonus BlueTube and BlueMax products. ... Read more

Features

• Instrument Preamp/EQ/Blender
• Acousti-Q features two tube preamps
• An internal mixer allows the user to blend the two signals to XLR outputs

Product Description

Dual compressor/gate. ... Read more

Features

• FREQUENCY RESPONSE:
• Flat: 20Hz-20kHz, +0, -0
• 5dB
• Bandwidth: 0
• 35Hz-80kHz, +0, -3dB

Product Description

The Rane ME 15B is a two channel, 2/3-octave contstant Q micrographic equalizer. The ME 15B utilizes compact 20 mm sliders,and features a Range switch for high slider resolution in the ?6 dB mode. The ?12 dB mode provides a wide range of control over system audio.The active filter sections feature Rane's innovative constant-Q (constant bandwidth) design. This means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts.Front panel controls and indicators, aside from the sliders and the filter range switches, include an overall Level control for each Channel as well as Overload indicators and passive Bypass switches. The rear of the unit provides both 1/4" Tip-Ring-Sleeve and XLR connectors for each of the Inputs and Outputs. The Inputs and Outputs are fully actively balanced. Unbalanced sources may be connected through the use of either mono 1/4" TS connectors, or by tying the ring to the sleeve on 1/4" TRS plugs. ... Read more

Product Description

Bridges the gap between analog and digital with true 24-bit resolution. It supports sample rates of 96kHz, 88.2kHz, 48kHz, 44.1kHz, and 32kHz. The AD9624"s noise shaping function enhances clarity of low-level material for superior imaging and realism when creating 16-bit masters. Inputs and outputs include AES/EBU (XLR) and S/PDIF (coaxial and TOSLINK). Features a 20-segment output level display and separate headphone front panel output. ... Read more

Features

• 24-bit resoluition
• 96, 88.2, 48, 44.1, and 32kHz sampling rates
• Noise shaping function enhances clarity of low-level material
• Unputs and outputs include AES/EBU (XLR) and S/PDIF (coaxial and TOSLINK)
• Features a 20-segment output level display

Product Description

The Whirlwind pcDI ® is the first dual direct box designed to interface your unbalanced stereo line sources with professional balanced low impedance equipment. This unit contains two completely separate DIs with color coded RCA phono type input and through jacks and color coded XLR outputs. Each section is totally isolated from the other, features a ground lift switch to help eliminate hum and a 20dB pad switch for connecting to "hot" signals. Perfect for interfacing with CD players, computer sound cards, tape decks, etc. ... Read more

Product Description

The Rane PS 1 High-Fidelity Phono Stage is a complete professional RIAA phonograph stereo preamplifier designed for local or remote turntable locations. Capable of driving extremely long lines, and intended primarily for permanent archival applications such as libraries, schools and museums, the PS 1 solves the problem of finding a reliable high qualitity phono stage. Club designers also find the PS 1 useful when needing to expand existing (or new) mixers which have no available phono inputs. The PS 1 has all the necessary features for a complete remote installation. These include the correct loading capacitors for all popular phono cartridges, and properly designed rumble filters that remove all dangerous infrasonic signals without interfering with the audio signals. ... Read more

Product Description

Kurzweils finest reverbs ... Read more

Product Description

Tube mic preamp, EQ section, and compressor priced for the home studio. Switchable +30dB gain, 180-degree I/O phase reversal, +48V phantom power, gain pot with clip LED indicator, 3-band EQ section with low and high shelving filters and sweepable mids, output level control, optical compressor with threshold and ratio controls, VU gain reduction meter, 1/4" TRS side chain I/O, I/O bypass, servo-balanced XLR and unbalanced 1/4" I/O jacks. ... Read more

Features

• Tube mic preamp
• EQ section
• Compressor
• Priced for the home studio
• Switchable +30dB gain

Product Description

At first glance you'll notice these units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because dbx knows how difficult external power supplies can be to work with. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers feature 24 dB per octave filters.The dbx 234 features; TRS differentially balanced ins and outs; Mode switches for mono 4-way or stereo 2-way/3-way operation; Low frequency summed (subwoofer) output; x10 range switch on both channels; 40 Hz high pass (low cut) filter both channels; Phase reverse switch on all outputs; individual level controls on all band outputs; 24 dB per octave Linkwitz-Riley filters (the professional standard); Stereo/Mono status LEDs indicate the selected mode; dbx 2 year parts and labor as standard. ... Read more

Features

• 1/4" TRS differentially balanced inputs and outputs
• Phase reverse switch on all outputs
• Individual level controls on all band outputs
• 24 dB per octave Linkwitz-Riley filters (the professional standard)
• DBX® 2-year parts and labor warranty as standard

Product Description

The Rane ME 15B is a two channel, 2/3-octave contstant-Q micrographic equalizer. The ME 15B utilizes compact 20 mm sliders,and features a Range switch for high slider resolution in the ±6 dB mode. The ±12 dB mode provides a wide range of control over system audio. The active filter sections feature Rane's innovative constant-Q (constant bandwidth) design. This means the bandwidth of each individual filter is guaranteed to be narrow enough to prevent unwarranted interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings. This differs dramatically from conventional designs of the past, encumbered with the unfortunate characteristic of changing bandwidth when changing boost/cut amounts. Front panel controls and indicators, aside from the sliders and the filter range switches, include an overall Level control for each Channel as well as Overload indicators and passive Bypass switches. The rear of the unit provides both 1/4" Tip-Ring-Sleeve and XLR connectors for each of the Inputs and Outputs. The Inputs and Outputs are fully actively balanced. Unbalanced sources may be connected through the use of either mono 1/4" TS connectors, or by tying the ring to the sleeve on 1/4" TRS plugs. ... Read more

Product Description

Maximum gain without distortion. Whether working in the analog or digital domain, its what we all strive for. The easiest and best sounding way to get it? Aphex' incredible Dominator II multi-band limiter. See, Aphex took a different approach with the Dominator - their goal was first and foremost incredible SOUND QUALITY (what a concept!). Other manufacturers fool around with their digital this and that, look ahead schemes, and other voodoo tricks to attempt to attain what Aphex has been providing all along - effective level control, but with the one thing all the other systems seem to miss: Undeniably transparent, punchy audio quality. Not settling for just stopping peaks, the Dominator uses controlled, instantaneous musical clipping to control peaks, while still letting you increase the average level of your mix. This adds punch and power, but establishes a multi-band brickwall limit. In short, the Dominator lets you push your levels to their absolute maximum, with NO DISTORTION or negative artifacts. Your mix is simply as loud as it can be, with no worries about overload! Broadcasters, studios, mastering labs and other audio professionals all have chosen the Dominator, and if you want the BEST limiter available, you will too! ... Read more

Product Description

The CP 52 is a versatile commercial preamplifier designed for use in restaurants, bars, health clubs and offices. The CP 52 serves one stereo Zone. One gated Paging Input and four stereo Program Inputs are provided. A Port is provided for expansion of Page, Program or Zone signals. Three levels of priority are supported: Page, Program Priority, and Non-Priority Program. The Paging Input is summed after Zone Level, Zone EQ and Zone Limiter circuits. If the Link Page Level to Zone Level switch is on, the Page level tracks the Zone Level. One of four stereo Program Inputs may be selected. Each line level Program Input features an independent Level control. A gated Program Priority Input is provided. When the Program Priority enable switch is on and signal is detected at the Priority Input (P), it overrides any non-priority Program selection. The detector features adjustable Threshold and Release-Time controls. Several levels of security are available. The SC 1.7 is an optional security cover for the entire unit. The SCP 1 is an optional EQ-slider-only security cover. Any front panel control knobs may be removed and replaced with provided hole plugs. The optional ZR 1 wired Remote Control allows Zone Level and Zone Program selection of the CP 52 from within the Zone area. Remote control is initiated by engaging the Remote switch (located on the CP 52 front panel). The ZR 1 may be installed in a standard electrical box and fiinished with a Decora plate. The ZR 1 connects to t ... Read more

Product Description

The CO3 makes life in the digital studio a lot simpler by unifying the conversations between stereo digital devices. It opens the dialogue between your stereo digital devices. ... Read more

Features

• Input Source and SCMS select button (with all LED indicators) located at the front panel of the MIDIMAN CO3
• Includes AES/EBU-S/PDIF receivers and transmitters which regenerate, reformat, and send the digital audio signal to 3 different outputs simultaneously
• Built-in jitter correction preserves the integrity of the converted signal