Product Description

The TPS II (Tube Preamp System 2) is a two channel high performance preamplifier coupled with ART?s proprietary V3? (Variable Valve Voicing) functionality. With variable valve voicing, the TPS II is completely versatile and maintains a high quality of performance you would expect from an ART tube preamp. The TPS II also features variable input impedance which allows users to dial in and match any microphone type from large condensers to ribbon mics. The newly improved V3 feature provides optimized reference points to begin the recording process for guitars, bass guitars, synths, acoustic instruments, percussion, vocals and more. Unique to its? class, the TPS II provides level monitoring with two analog meters as well as two newly added input monitoring LED meters. High-Z instruments or balanced microphone signals are input through front and rear panel jacks. This newly enhanced TPS II can accept +20 dB peaks while maintaining over 120 dB dynamic range, quiet performance and incredibly low distortion. ART?s legendary tube stage maintains a classic ?warm sound? and adds additional tube voicing specifically tailored to vocal, guitar, bass, and acoustic instruments making the TPS II an incredible DI box. ART's OPL? (Output Protection Limiting) feature is also included to control overshoots and normalize levels before clipping occurs. Variable Input Impedance Newly Enhanced V3? Variable Valve Voicing LED Input Meter Analog Output Meter Enhanced ART Tube ... ... Read more

Features

• Variable Input Impedance
• Newly Enhanced V3⢠Variable Valve Voicing
• LED Input Meter
• Analog Output Meter
• Enhanced ART Tube Technology

Product Description

The CL151 GLC Is A Unique Dynamics Processor With The Added Benefit Of A Microphone Preamp. The Unit Features Smooth, Soft-Knee Compression and Limiting, and Noise Gating For Quiet Operation. Gating Is Indicated By A Front Panel LED, and Gain Reduction Is Indicated Via A 5-LED Ladder. ... Read more

Features

• Mic preamp with 12 volts of phantom power available
• Soft-knee compression/limiting
• Noise gating
• XLR mic and 1/4" line input
• Side Chain for detector circuit access

Product Description

The MPX550 offers high-end professional features and ?Lexicon Sound? at an affordable price. Like its predecessors, the MPX 550 is a true stereo processor that includes 24-bit analog-to-digital and digital-to-analog conversion. It relies on the proprietary LexiChip engine to perform 24-bit internal processing. Its 255 carefully-crafted presets feature legendary Lexicon reverb, as well as dual programs that combine two independent effects in four routing configurations. Tempo can be set using audio input, a dual footswitch, the front panel Tap button, or an external MIDI device. A powerful editing tool called Learn Mode allows patching of up to five front panel controls. To this, the MPX 550 adds impressive features such as balanced analog inputs and outputs, a large front panel display, four Edit knobs for simple parameter adjustment, and an internal power supply.Legendary Lexicon reverb from proprietary Lexichip?24-bit internal processing and A/D/A conversionSelectable 44.1 or 48kHz sampling rate255 presets and 64 User programs, including a Compressor BankDynamics algorithm with enhanced meteringS/PDIF I/O (may be set to wet or dry)Balanced analog I/O (XLR and 1/4 inch TRS)Simultaneous analog and digital outputsIndependent processing of each inputDual programs that combine two independent effects in four routing configurationsMultiple delay, modulation, and pitch effectsBuilt-in digital compressor with four adjustable parametersTap TempoF... ... Read more

Features

• Legendary Lexicon reverbs are represented in full force, with classic Plates, Gates/Inverses, Halls, Rooms, and Chambers that recreate the acoustics of actual live spaces and world-class Ambience for room sounds without reverb
• Inherited from the award-winning PCM 70, the Lexicon Chorus effect uses six independently randomized delay voices panned across the stereo field to create a rich, airy effect that can multiply a single source into many
• Lexicon Flange recreates the rich, sweeping sound of classic analog flanging by use of two 2-tap delays - one per channel

Product Description

Features: ±12db of Boost/Cut 1/4 TRS / RCA inputs & outputs 15 Bands/Channel: 31.5, 40, 63, 100, 160, 250, 400, 500, 630, 800, 1k, 2k, 4k, 8k, 16 kHz 2 Channels 2 Input / 5 output preamp Input Impedance: 1.2 kOhm Level Control: +/- 12 dB Low cut feature Max Output Level: 11 Volts Output Impedance: 20 kOhm Power Consumption: 15 Watts Power: 120/230 Volts Dimensions: W 19 x H 1.75 x D 9.75 (483 x 45 x 248mm) Signal to Noise Ratio: 90 dB Total Harmonic Distortion (THD): 0.03 % Weight: 8 lbs (3.6 kg), Shipping Weight: 8.2 lbs (3.7 kg) ... Read more

Features

• 2-Channel Equalizer
• 15 Adjustable Bands for Each Channel
• Rack Mountable
• +/- 12dB Boost or Cut
• For DJ or home audio applications

Product Description

A/B/Y Selector/Combiner box.Route one signal to two outputs or two inputs to one output. Then choose A, B or A & B combined. LED's show you which signal is active. One 9-volt battery is required for LED indication. ... Read more

Features

• One 9 volt battery is required for LED indication
• Two year warranty

Product Description

The 362 series delivers the sound-improving benefits of a Sonic Maximizer signal processor with the convenience of ganged-stereo operation. Features include unbalanced 1/4" and RCA ins and outs, and bypass switch for comparison of processed and unprocessed signals. ... Read more

Features

• Ganged stereo process control
• Ganged stereo lo contour control
• +16dBu headroom
• Unbalanced 1/4" inputs and outputs
• Bypass control

Product Description

There is a reason that Tour Sound Professionals and discriminating Audio Contractors choose dbx? DriveRack? products for their high-end tours and installs. The DriveRack products provide the tools that ensure that the system sounds its very best. With the introduction of the new 260, the heritage of unrivaled system/loudspeaker control continues.The 260 capitalizes on the road tested and contractor approved nature of the other products in the DriveRack line. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression (AFS?).The DriveRack 260 continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack 260 was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus? limiters (to provide protection against speaker blowouts) and alignment... ... Read more

Features

• Feedback Elimination
• 2.7 Seconds of Alignment and Zone Delay
• Graphic and Parametric EQ
• RS-232 PC GUI control
• Classic dbx Compression and Limiting

Product Description

This two channel multi-processor combines the functions of 9 separate products in one easy to use 2U package. Features include a 31 band graphic equalizer, 12 band FBX Feedback Exterminator, RTA with reference mic in, 12 band parametric equalizer, full featured compressor/limiter and noise gate/expander and digital delay. The automatic FBX and room EQ and the intelligent EAR feature, which removes constant ambient rumblings from the system EQ, speed setup times. A slave unit for computer control and a digital input output upgrade are available as options. ... Read more

Product Description

Optical Converter, S/PDIF to AES/EBU. OPTICAL DATA LINK: AES/EBU in? (coax XLR) and Optical out (TOSLINK) and vice versa, simultaneously.? Two, independent signal paths operate at the same time without selective switching. ... Read more

Product Description

The Model 351 may be used in various applications such as live sound, recording studios, instrument racks and DJ systems.Designed to interface into any audio system, it is a powerful tool for solving audio problems and creating interesting sound textures. One year manufacturer warranty. Features:20mm center detent sliders * Selectable boost/cut range of 6 dB or 12 dB * Active balanced XLR and 1/4" TRS, unbalanced RCA inputs and outputs * Variable high and low pass filters * Variable input controls * Signal clipping indicators * Ground lift switch * Rugged all steel construction.Specifications: * Frequency bands: 31 bands, 1/3 octave, ISO spacing * Filter type: Constant Q, 3% center accuracy * 12 dB/octave filters: high pass 10 to 250 Hz, low pass 3k to 40kHz * Frequency response: 20 to 20,000 Hz (+0.5 dB) * THD: 0.01% * Signal to noise ratio: 94 dB * 1U rack space * Dimensions:1-3/4" H x 19" W x 8-1/2" D * Net weight: 4-1/2 lbs. ... Read more

Features

• Frequency Bands: 31, 1/3 octave, ISO spacing
• Filter Type: Constant Q - 3% center accuracy
• Slider Travel: 20mm w/ positive center detent
• Range: +/-6dB or +/-12dB selectable
• Input Connections: Active balanced XLR and 1/4" TRS {XLR pin 2/ 1/4" tip = Hot (+)} Unbalanced RCA

Product Description

The 882i unit features dual-mono operation with balanced XLR inputs and outputs. It is designed for applications requiring low noise, high headroom and +4dBu input levels. Applications include: professional recording studios; pro and semi-pro sound reinforcement; multitrack studios; cassette copies; nightclub sound systems; broadcast transmission. Features: +4dBu balanced line (1/4" tip-ring-sleeve and XLR inputs and outputs)+23dBu headroomActive balanced outputsHardwire bypassBypass switch for comparison of processed to unprocessed signalSpecifications: Process Mode: Program controlledBypass Mode: 10Hz to 50kHz, +/- 0.5dBu, 0dBu inputSignal to Noise Rati 115dB Process INTHD, Process mode: less than 0.025% 20-20kHzBypass mode: less than 0.002% 20-20kHzMaximum Output: +23dBu (may vary due to control settings)Input Impedance: 14.7K Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal.Output Impedance: 600 Ohms, balanced 1/4" stereo phone jack or XLR jack. Pin #2 is the hot or "+" signal.Sensitivity: -45dBu for maximum processMaximum Process: +12dBu boost at 5kHz, 0dBu inputLo Contour: +12dBu adjustment at 50Hz, 0dBu input ... Read more

Features

• Professional recording studios
• Pro and semi-pro sound reinforcement
• Multitrack studios
• Cassette copies
• Nightclub sound systems

Product Description

4 extremely narrow (1/60th octave) notch filters, each independently adjustable from 60 to 6,000Hz, allow quick feedback elimination without affecting the integrity of the overall sound. Notch depths adjust up to -20dB. A spectrum analyzer LED display quickly identifies problem frequencies. TRS balanced connectors. Includes IEC cord for AC operation and has internal power supply with voltage select switch. ... Read more

Features

• Four 1/60th octave notch filters target problem frequencies between 6- to 6,000Hz.
• Notch depths adjust up to -20dB
• Spectrum analyzer LED display identifies problem frequencies

Product Description

The latest addition to the 10 Series product line, the dbx? 1074 QuadGate? , is the perfect companion to the 1066 and 1046. The 1074 offers 4 channels of gating with threshold, depth and release controls on each channel. The 1074, like the rest of the products in dbx 10 Series, is based on the legendary dbx V2 VCA and offers XLR inputs and outputs, and 1/4? side-chain input. In addition to an external key input per channel, the 1074 also has an internal filter that can be independently activated and controlled on a channel-per-channel basis. This filter allows the 1074 to not only clean up tracks, but gives you frequency selective control on each gate, to open exactly when you want it to. These features combined, make the 1074 an absolute must for those who require quad gating on applications including: Gating dry and percussive sounds such as snare drum and kick drum,gating sounds that have longer decay times such as cymbals and Pianos, gating hum or buzz from live instruments or recorded tracks or eliminating Headphone leakage into microphones. Gating instrument microphones to eliminate amplifier bleed. PeakStopPlus? - allows you to set the maximum signal level you want to pass through this channel. While it's virtually impossible to eliminate distortion, the PeakStopPlus circuit does it gracefully and effectively with minimal distortion.Stereo Link - allows you to link channels 1&2 and 3&4 for two channels of true stereo compression.All four channels fe... ... Read more

Features

• Four independent channels of gating
• Independent key filtering
• Independent Threshold and Release controls
• Differentially balanced gold-plated XLR and 1/4" inputs and outputs
• True RMS level detection

Product Description

When rack space is limited, but a stereo equalizer is essential the SR430 QXLR is the solution. The one rack space design combines two 15 band, 2/3 octave equalizers together, each with constant Q filters, and independent low cut filters. ... Read more

Features

• Dual 15 band equalizer
• Constant Q
• Low cut filter at 50Hz with a 12dB/Octave Slope

Product Description

Finally! A cure for compression confusion has arrived. Quit guessing and anguishing over proper compressor and gate settings. Get on with what is important, your work. Rane has created a new compressor gate using high quality log rms detectors and Voltage Controlled Amplifiers (VCAs).The DC 22, like most compressors, operates by making the loud signals quieter, but does not make the quiet parts louder. However, by keeping the loud signals under control, the entire system may be turned up when necessary to make the quiet parts louder.There is more than just a stereo compressor working here. The adjustable Gate is a downward expander, acting like a compressor running in reverse, making the quiet parts quieter. This is valuable in reducing system background noise. The Ratio is fixed at 2:1. When the signal drops below the set Threshold, the Gate Threshold indicator lights and the output level is reduced by 2 dB for every 1 dB the input signal level drops.When using the DC 22 as a true stereo processor with left and right signals, activate the Link switch. In Link mode, Channel 1 becomes the Master and Channel 2 the slave. Gate Threshold, Compression Threshold, Compression Ratio and Output Level are all controlled by Channel 1. This ensures that both channels track perfectly, maintaining perfect balance and image. The Channels are totally independent with the Link switch off.The DC 22 offers performance and simplicity not found (until now) in this price range.... ... Read more

Product Description

Designed from the ground up to provide state-of-the-art signal processing, the DriveRack 220i is the perfect tool for any fixed-install application. ... Read more

Product Description

The EQ3B is a three-band fully parametric single channel analog EQ with smooth highs and solid lows. Perfect for carving out unwanted frequencies or musically boosting frequencies that need to be empasized. It is a perfect compact EQ solution to customize and taylor your sound. The EQ3B features an 80Hz roll-off (to eliminate room rumble and increase clarity), +/-12 dB of boost/cut on three overlapping frequencies along with varible Q (bandwidth) for detailed narrow notching or wide musical shaping. The EQ3B is ultra quiet and is perfect solution for many applications including, vocals, guitar, bass, keyboards and more. ?Three fully parametric bands with overlapping frequencies. ?High pass rumble filter. ?Extremely quiet operation. ?Warm, wide dynamic range for recording or live.InputXLR Impedance: 10k Ohms TRS Impedance: 10k Ohms  Panel ControlsLow Frequency Range: 20Hz to 800Hz Mid Frequency Range: 700Hz to 7kHz High Frequency Range: 5kHz to 20kHz Bandwidth Adjust (Q): .1 to 10Gain Adjust: -12dB to +12dB High Pass Filter: 80Hz MetersBlue Backlit VU Power SupplyType: Linear Input: 16VAC/1000mA OutputXLR Balanced: 51 Ohms Impedance 1/4" TRS Unbalanced: 51 Ohms Impedance PerformanceTHD+Noise (Unweighted): 0.006% at 0dB Noise Floor: -98dB Signal to Noise: >95dB Power Supply Rejection: >98dB           ... Read more

Features

• 3 bands of fully parametric equalization
• Each band is overlapping and offers adjustable fequency range, Q, and cut/boost control
• Faceplate bypass button and 80Hz roll-off
• -98dB noise floor
• +24dBu headroom

Product Description

The DB25 Is A Transformer-Balanced, Passive Direct Box. The Attenuator Cuts The Signal From Speaker Outputs, Or Hot Line Outputs So The Audio Mixer Input Does Not Distort. The 1/4 Inch Input Jacks Are Paralleled So Either One May Be Used. This Direct Box Converts High-Impedance To Low-Impedance and Vice Versa. It Has A Ground Lift For Hum Reduction, and An Attenuator Switch For Connection To Line Level Or Speaker Level Signals. ... Read more

Features

• DB25 Specifications:
• Frequency responce 50 - 15K Hz + -3 dB
• Output imp
• 600 ohms
• Imput Impedance 50K ohms

Product Description

Perfect for home studios, DJ systems, PA systems, nightclub sound, and guitar, bass, or keyboard racks, any application not requiring balanced jacks. It provides either stereo processing or processing for 2 separate mono channels, brightening, clarifying, and adding fullness to the sound. Features 5-segment LED output meters, +18dBu headroom, RCA and 1/4" inputs and outputs, and a bypass switch for comparison of processed to unprocessed signal. Occupies 1 rack space. ... Read more

Features

• Applications:
• Pro and semi-pro sound reinforcement
• Multitrack studios
• Mobile DJ systems
• Cassette copies

Product Description

Pro-quality vocal harmony and reverb for stage and studio ... Read more

Features

• HybridShift® harmony generation for smooth, natural sound
• 4 independent harmony voices, 4 distinct harmony modes: scale, chord, shift, and MIDI notes
• 2 lead-voice thickening voices -- one above, one below
• Humanization of harmony voices utilizing: FlexTime®, vibrato, inflection, pitch randomization, portamento
• TC Electronic compressor/gate