Product Description

Provides the ultimate way to connect guitar pickups, contact mics or electric instruments to a recording or PA console without loss of audio quality. Does not load the signal from your pickup, no loss of level or increased distortion. The case is made of indestructible extruded aluminum, recessed connectors and switches, battery or phantom power, internal pad for speaker bridging, true ground isolation, RF filtered. What does it do?The Type 85 connects any high impedance instrument pickup, even piezo pickups, to a balanced microphone (XLR type) input. It provides a strong, clean signal to the mix board without adding noise or distortion.What doesn't it do?It won't change the tone or volume you hear from your own amp like passive direct boxes. It won't add hiss, distortion or buzz like some active direct boxes. It won't break just when you need it. It won't develop a dead battery on stage because it runs on Phantom power.Why does it sound so good?The Type 85 doesn't use a cheap FET opamp. It uses only hand selected high quality discrete components woven into a single ended class A circuit much like the classic tube microphone preamp. The Type 85 has an incredibly smooth, sweet sound.Why is it so hard to break?Connectors and switches are recessed into a single piece extruded case with extra thick walls. You can actually drive a truck over a Type 85 without hurting it. Internal electronics are molded in a single epoxy block and fully protected against electrical damage. ... Read more

Product Description

An economical Direct Box that converts a line or instrument level unbalanced signal to a low impedance balanced signal. The input is Hi-Z bridging and the output is provided with a ground lift switch. Utilizes the TRHL transformer. ... Read more

Features

• PARALLEL HIGH Z IN/OUT (1/4â Jacks)
• Two 1/4â jacks which provide the means to input and âloop throughâ the source signal
• These jacks are wired in parallel, it makes no difference which one is used for input or output
• LOW Z OUTPUT (XLR Jack)

Product Description

Pro-quality vocal harmony and reverb for stage and studio ... Read more

Features

• High-quality pre-amp
• 4 harmony voices plus double-tracked lead
• Timing and pitch humanization
• TC reverb
• A/B program switching for live use

Product Description

Balanced 1/4 in. TRS patch bay offering 48 jacks each in the front and rear. User configurable for normalled or non-normalled operation. Standard 1U rack design.Well, itâs not very glamourous, but everybody needs a patchbay. And as for the PB48, it is a patchbay that just works, all the time, every time. It comes in two flavors: half-normalled or de-normalled, with 48 1/4 in. points on the front panel, connected to 48 1/4 in. points on the rear. The PB48 is a rugged, noise-free, versatile patchbay designed to serve all your patchbay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup. See, not glamorous, but it works great. ... Read more

Features

• Chassis Dimensions (H x W x D): 1
• 75 x 19 x 2
• 6 in
• (44 x 482 x 68mm)
• Module Dimensions (H x W x D): 1

Product Description

With every project, you need to capture that perfect vocal and make the sound your own. VoiceMaster Pro represents a new generation of voice recording equipment. Many of the elements from the award-winning VoiceMaster have been innovated upon. In addition, the unit features a whole host of new processors designed to ensure you have all you require to make the most of the artist you're recording. The award-winning Class A preamp captures every nuance from any source, whilst latency-free monitoring ensures direct and delay-free mix control. Tools such as the voice-optimised EQ, Vintage Harmonics and Tube Sound allow you to get creative with a touch of class, putting your own stamp on every recording. All of this, combined with the optional 24 bit, 96 kHz digital output board means that VoiceMaster Pro is the perfect interface between your microphone and your DAW or other recording media, placing the ultimate tracking solution firmly within your grasp. ... Read more

Features

• Stereo latency-free monitoring section
• Vintage Harmonics revolutionary vocal enhancer
• Custom Focusrite VU meter
• More versatile, voice-optimized EQ
• Improved Tube Sound emulation with tone control

Product Description

With the Hot Pak you get the legendary Tube MP Microphone Preamplifier, a staple in the low-budget recording world because of its great sound and low price. You also get the great sounding APEX 430 Condenser Pressure Gradient Microphone, plus all the extras you need to put it right to work: suspension mount hardware, a pop filter, custom stand mount, and carrying bag. ... Read more

Features

• The Tube MP is the worldâs most popular external tube microphone preamp
• Whether youâre working with a four-track, hard-disk, or digital multitrack recorder, the Tube MPâs TEC award nominated design will allow you to obtain professional recording studio results at a fraction of the cost of comparable equipment
• Dimensions 5

Product Description

The Bass PODxt gives you world-class tone from the stage to the studio. With over 50 stompbox, studio, and synth effects with flexible routing (6 simultaneous), and over 28 classic and modern amp models, Bass PODxt has everything you'll need to create a monstrous bass tone. The Bass PODxt comes to you as 28 Amp, 22 Cab, and over 50 Effect Modules based on a collection of gear recognized by guitarists and bassists the world over as true "tone classics". These models were tweaked through careful, scientific A/B comparisons to the gear that inspired them, with an ear open for the effects of different volume levels and settings of the originals' tone and gain controls. Also features A.I.R. II cabinet/microphone modeling which allows you to choose from 4 different classic mic models and even adjust how much of the room sound you hear. There's even a dedicated studio-quality compressor, full-time semi-parametric EQ, and a Bi-amp (low/high) output mode. With 64 user/factory presets, many based on some of the most popular songs ever recorded, you'll have instant access to an unbelievable collection of classic bass rigs. Imagine the sonic possibilities of having all the coolest amps, cabs, mics, stompboxes, and studio effects all tweaked, wired-up, and ready to go. Shipping weight: 6.5 lbs. ... Read more

Features

• Amp models based on: Acoustic 360, Aguilar DB750, Alembic F-2B, Ampeg B-15A and SVT, Eden Traveller WT-300, Fender Bassman and Dual Showman, Gallien Kruger 800RB, Hiwatt DR-103 and 200 DR, Marshall Major and Plexi Super Bass, Mesa Boogie 400+, Polytone Mini-Brute, Sunn Coliseum, SWR SM-500 and Vox AC100; plus Line 6 originals Tube Preamp, Sub Dub and six more
• Effect models based on: Urei LA-2 compressor, Mu-Tron III, Arbiter Fuzz Face, Electro-Harmonix Big Muff Pi, Ibanez Tube Screamer, ProCo Rat, Tycobrahe Octavia, MXR Dyna Comp, Boss CS-1 Chorus, Uni-Vibe, Vibratone Rotary Speaker, Opto and Bias Tremolo, Boss DM-2 Analog Delay, Electro-Harmonix Deluxe Memory Man, Maestro EP-1 Echoplex and Roland RE-101 Space Echo, plus Line 6 originals
• Cabinet models based on: Acoustic 360 1x18, Ampeg 1x15 and 8x10, Ashdown 2x10, Eden 4x10, Euphonics 1x12, Fender 2x15 and 4x10, Hartke 4x10, Hiwatt 4x12, Marshall 4x12 and 4x15, Mesa Boogie 1x18 and 2x15, Sunn 1x18+12, SWR 1x15, Vox 2x15
• I/O: Bass input, Discrete Processed & DI outputs, +4dBu/-10dBV balanced 1/4" outputs, 24-bit A/D and D/A Converters, MIDI In, Out/Thru, RJ-45 Foot Controller Connecter, USB Connector for Digital I/O, Headphone Output

Product Description

4-part vocal harmonizer ... Read more

Features

• Microphone Input
• Balanced XLR, 2 KOhm
• Line Input Unbalanced 1/4 TS, -10 dBV Level, 10 KOhm
• Auxiliary Input Unbalanced 1/4 TS, -10 dBV level, 10 KOhm
• Microphone Input Range

Product Description

Drive your PA to a whole new level of performance with the DriveRack? PA Complete Equalization & Loudspeaker Control System. The DriveRack? PA from dbx Professional Products? represents a complete integration of the key elements that help ensure optimal loudspeaker system management in PA-specific applications. Capitalizing on the legendary 480 DriveRack? technology, the DriveRack? PA is able to provide its user with top-tier, pro-level loudspeaker management specifications, yet still remain appealing to the budget-conscious audiophile who requires a tried and true utilitarian workhorse. With its all-inclusive, no-compromise design, the DriveRack? PA has been systematically developed and designed to grow with your system needs for years to come.The DriveRack? PA continues the legacy of DriveRack? series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack? PA was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic equalizer, industry-standard dbx? stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, and Peak Plus? limiters (which are used to provide protection against speaker ... ... Read more

Features

• Stereo Feedback Elimination with 12 feedback notch filters and dual 28 band EQ
• Classic dbx® Compressor and stereo output limiters
• 2x3, 2x4, 2x5, 2x6 Crossover Configurations
• JBL® Speaker and Crown Power Amp Tunings with Setup Wizard
• Front panel RTA-M XLR input with Phantom power

Product Description

The DB-1 is one of the most useful and versatile tools available. It enables the connection of any high-impedance unbalanced audio source signal to any low-impedance mic-level balanced input. Its parallel output allows the simultaneous connection to 2 separate inputs. A 3-position input attenuation switch (0dB, -20dB, -40dB) facilitates optimum level matching to connected equipment, and a ground lift switch eliminates ground loop-induced hum. The DB-1's rugged, roadworthy all-steel construction assures you years of continuous reliability. ... Read more

Features

• Perfect for live use and permanent installations
• Connect hi-Z unbalanced source to lo-Z balanced input
• Parallel output allows simultaneous connection to 2 separate inputs
• 3-position input attenuation switch
• Switchable ground lift

Product Description

The 528Eis a complete, self-contained voice processor that performs six separate functions: microphone preamplification, de-essing (sibilance removal), compression/limiting, downward expansion, parametric EQ, and voice symmetry alignment. All six processors may be used simultaneously. Although we call the 528E Features:Works with any microphone (or line input)Enhances vocal intelligibilityIncreases perceived loudness and "presence"Great for voices as well as instruments and effectsReduces off-mic noiseReliable, proven design ... Read more

Reviews (1)

Industry Standard
Well, this is the industry standard. Just about every radio station has these, most recording studios that do voice over work have one too.

There really isn't much competition for mic processors, so you really don't have much choice. There used to be another one commonly used in broadcast stations, but they are no longer around.

You have as much compression as you could ever want. I don't see how anyone could use the highest setting, half way up gets me enough for the loud "monster truck" type commercials.

Microphone connects in the BACK, not on the FRONT of the unit like the DBX Provocal!(What were they thinking?!)

The downward expander is GREAT for getting rid of room noise, mouth noises, and making for a nice quiet background, but I wish they had a ratio control as well as threshold, so you could make the thing a bit more smooth.

I have a DBX 1066, and it's gate is a lot nicer.But that is not a mic processor.

I think the attack time should be quicker on the compressor, but no control available for that.

This has a three band Parametric EQ, and a DE-ESSer.

One warning.Symetrix does NOT include the instruction manual with this unit! They only put in a brief "quick start" guide and want you to download the full manual from their website and print it out yourself.

The manual is very well written, but too bad they can't throw a copy of it in the box with the unit without having to call and ask them to send it to you.


... Read more

Product Description

With compact and durable all-steel chassis design, the GEQ Series provides optimum audio control for all live and recording applications, plus ultimate operating convenience and maximum reliability. ... Read more

Features

• 15-band, 2/3 octave
• Q-circuitry has 5% center frequency accuracy
• Switchable low-cut filter with LED
• Active balanced and unbalanced input/output connectors (XLR, 1/4" TRS, and RCA)
• Variable level control

Product Description

This premium direct box converts an unbalanced line, instrument or speaker level signal to low impedance balanced mic level. Features: 1/4" parallel wired in/out jacks. Ground Lift switch to help eliminate hum and buzz. 30dB pad switch for selecting between line/instrument or speaker level input signals. Switchable high cut filter to eliminate amplifier noise. Uses Whirlwind's TRHL-M transformer with mu metal shield that's riveted, not glued, to the chassis.Input Impedance: 20k Ohms Output Impedance: 150 Ohms Frequency Response: 20Hz-20kHz ?1dB Level Change (input to output): -20dB (pad out), -50dB (pad in) ... Read more

Features

• 1/4" parallel wired in/out jacks
• Ground Lift switch to help eliminate hum and buzz
• 30dB pad switch for selecting between line/instrument or speaker level input signals
• Switchable high cut filter to eliminate amplifier noise
• Uses Whirlwind's TRHL-M transformer with metal shield that's riveted, not glued, to the chassis

Product Description

Versatile no-solder patchbayProvides 48 points in a single rack spaceNormalled half-normalled and isolated configurations1/4 TRS for both balanced and unbalanced signals19 W x 1 3/4 H x 2 1/4 DShipping package dimensions: 2.25x3x19 (len x wid x dep) ... Read more

Features

• Versatile, no-solder patchbay
• Provides 48 points in a single rack space
• Normalled, half-normalled and isolated configurations
• 1/4 " TRS for both balanced and unbalanced signals

Product Description

The new PDB? Passive Direct Box is a rock solid, roadworthy DI for connection of the outputs of electronic musical instruments (or other audio sources) to the balanced inputs of mixer consoles and other balanced inputs. The ART PDB? also allows connection of a music source to an instrument amplifier while simultaneously patching it to a mixer.Input Attenuation: Switchable (0dB, -20dB, -40dB) Instrument Input: 50k Ohm Parallel Link Jack: 50k Ohm Output Jack: 600 Ohm XLR Output Jack Ground Lift: Switchable ... Read more

Features

• Connects electric instruments and other audio outputs to the balanced inputs of mixers
• Allows connection to an instrument amp while simultaneously patching it to a mixer
• Translates high-impedance signals from instruments into low-impedance balanced signals
• Automatically balances and matches line level outputs of keyboards
• Use for multiple keyboard setups--the PDB replaces individual direct boxes

Product Description

The FireworX is a very powerful machine, and inside the borders of itâs extensive DSP power you can create any imaginable effect. The FireworXâ broad palette of effects includes: Vocoder Ring modulation Synth generator Formant filter Resonance filter Multitap delay Reverse delayReverb Dynamics Chorus Flange Phase Pitch shift Fractal noise You can change the order of the effects, repeat certain blocks, add feedback loops, even insert an external device. ... Read more

Features

• Connectors: XLR balanced (pin 2 hot)
• Impedance: 20 kOhm
• Max
• Input Level: +22 dBu (balanced)

Product Description

For years, professional audio engineers and producers have relied on Aphex's Aural Exciter to brighten up sound dulled by risky equipment or a difficult A/D transfer. Now, with the Model 204, Aphex has brought back the Aural Exciter in an enhanced, 2-channels version - and thrown in the Optical Big Bottom for extra measure! The Model 204 dramatically enhances the presence and clarity of your audio signals. On the high end, the Aural Exciter restores natural brightness and improves sonic detail. The Big Bottom performas a similar function on the low end, providing deeper, more resonant bass with little or no increase in peak output. The Aural Exciter is more than just another "audio enhancer"; it actually extends your high frequencies for a greater perceived loudness without an introduction of noise into the audio path due to increased gain. Vocals and instruments leap out without raising individual volumes in the mix. The same can be said for the Optical Big Bottom capabilities of the Model 204, except on the opposite end of the sonic spectrum. Big Bottom tightens and boosts the bass, allowing individual notes to be more articulated and recognizable, providing a deeper, more resonant bass without overloading the sound system. With the Model 204 in your setup, your audio will be fuller, bigger, and generally sound louder, but with little or no increase in peak volume. This is a versatile tool for a huge range of applications, from recording to broadcast to performance. ... Read more

Features

• Flawlessly increase your loudness and clarity with the Model 204

Product Description

The BlueMAX is the world's first affordable stereo analog compressor with preset compression curves tailored for a variety of individual instrument and vocal applications. There is a 'manual' mode that allows control over parameters like attack, release, and ratio. The BlueMAX also features full metering over gain reduction and input/output levels plus a sidechain insert jack for spectral processing. The BlueMAX is truly the easiest way to get world-class dynamics control for any recording or live sound application.15 studio pre-sets: 3 vocal, 8 instrument, 2 classic stereo, 2 special effects "Squeeze Guitar" and "Pump"Manual mode gives you full control over compression parameters, including: variable input/output; Attack/release times and ratio from 1:1 to 20:1Onboard metering shows input/output levels and gain reductionStereo/mono operation with high gain mono input for plugging instruments in directSidechain input for de-essing, ducking and other forms of special processingInput/Outputs are 1/4" TS unbalanced+4/-10 stereo operating levelInternal power supplyPower transformer is switchable for international operationImpedance Left: 100K OhmsImpedance Right: 100K OhmsConnectors: Tip-Ring, 1/4"Gain: -20dB to +40dBSidechain Output Impedance: 51 OhmsSidechain Input Impedance: 10K OhmsInput: -20dB to +40dBRatio: 1:1 to 20:1Attack: 0.01ms to 100msRelease: 10ms to 500msOutput: -20dB to +20dBMetering Input/Outpu... ... Read more

Features

• Input/Outputs are 1/4 inch TS unbalanced.
• +4/-10 stereo operating level
• Internal power supply
• Power transformer is switchable for international operation

Product Description

The SX21 Is A 24dB/Octave Two-Way Frequency Divider Intended For Small Sound Reinforcement Applications. It Has Input, Low and High Output Jacks, and Input, Crossover Frequency, Low and High Output Controls. It Is Powered By 12 To 16 Volts DC and The Adapter Is Included ... Read more

Features

• 24 dB/Octave rolloff
• 1/4" unbal. Input and Outputs
• 100Hz to 5 kHz crossover range (may be factory modified)

Product Description

Based on the award winning BlueMax compressor design, the COMP16 has sixteen presets that control attack, release, ratio, threshold, and knee, as well as an analog back-Lit VU for metering compression. The COMP16 delivers easy to use warm, wide dynamic range compression for recording or live. ... Read more

Features

• Features many of the presets contained in the award-winning BlueMax
• 16 preset compression curves with variable input and output
• Presets include vocal, percussion, fretted, keyboard, limit, and effect
• Front panel boasts a large blue, backlit VU meter
• Meter can either be used to monitor output level or gain reduction