Product Description

Our 8 Channel powered mixer is a remarkable achievement for pro audio. This unique and solidly built powered mixer features a ground breaking backlit digital display that can pinpoint and show any instrument's frquency to help you easily enhance it. This makes the MX-300-8 like having your own built-in sound engineer! Our Sound Display 8 also features 8 independent channels with separate gain controls and 8 ELR and 1/4" Jack inputs. Each channel also has a 3-band EQ with reverb, monitor and pad controls. Add to this a massive 300 watts RMS and your've got a powered mixer that can truly stand on its own. The Sound Display 8 also has phantom powere to charge up condenser mics. This mixer is great for home studio, professional and live applications and it has many features that you don't normally see in pro audio at this price range. It has 1/4" send/ return jacks and individual volume controls for any assortment of outboard effects. The on-board spring reverb is an important added feature and the 20db pad will help to make delicate changes to any instruments's volume, no matter how hot the signal is. The post out feature expands the powered mixer's flexibility as it can be used as an amp0, a powered mixer or a mixing board for fine tuning bigger projects. It even has record and playback options with RCA ins and outs. This forward thinking mixer will give musicainas endless creative control and possiblities, now that they can SEE the difference. ... Read more

Features

• Sound Display 8 also features 8 independent channels with separate gain controls and 8 ELR and 1/4" Jack inputs
• Each channel also has a 3-band EQ with reverb, monitor and pad controls
• The Sound Display 8 also has phantom power to charge up condenser mics
• It has 1/4" send / return jacks and individual volume controls
• on-board spring reverb is an important added feature and the 20db pad

Product Description

The MP2016a is a rotary-controlled mixer featuring six Input Channels, Booth and House Outputs, Pre-Effects Tape Outputs, Post-Effects Tape Outputs with Level control, switchable Effects Loop, and Headphone Cueing. Input Channels 1 through 4 feature high quality RIAA phono preamplifiers which may be switched to line input via rear panel switches. Input Channels 5 and 6 each provide a balanced mic preamp with Input Gain trim, Mic/Line switch, two-band EQ, Mic Engage switch and an internal Booth Ducking enable jumper. In addition to the six dedicated preamplifiers, all six Input channels may select any of the five stereo Auxiliary Inputs.Each Input Channel provides a 6-position source selector, Input Gain control for matching levels, Signal/Overload indicators and a studio-grade Master Mix control.The Booth Output may select Master or Cue as its source. An ultra-low noise, high power headphone amplifier also allows monitoring the Master Mix or Cue Mix.The MP2016a improves on the original MP2016 by adding Split Cue. Individual Cue switches on each channel drive a panning Master / Cue control for the Headphone output.The Master Mix circuit provides Signal/Overload indicators, Mono switch and high-pass/rumble filters. In addition, the Master Output features patent-pending high performance 3-band, full-cut, Accelerated-Slope tone controls.The MP2016a provides exceptional ergonomics, good feel and a clean, intuitive layout packaged in a compact 19 inch, 3U rac... ... Read more

Product Description

Save BIG when you buy today! ... Read more

Product Description

The GL3300M-824B (GL3300M-840B shown) is an 8-buss live sound reinforcement console with 20 mono inputs and 4 stereo inputs (right of center masters). An eight-buss console with great features at a very affordable price. Doubles as a by-10 monitor console at the flick of a switch. This is ideal for smaller touring companies that may need a console that can serve as a "front of house" or monitor console. The EQ is a famously British "good sounding" design, four-band with dual sweepable mids. Each channel has 100 Hz cut, phantom power select, EQ defeat, eight auxiliaries on eight knobs, and 100 mm faders. This console is designed for live sound reinforcement but also has extensive recording features like two-track in and out and channel direct outs. Meter bridge is included. Shipping weight: 84 lbs. ... Read more

Features

• 8 Audio Groups: Assignable from paired routing buttons and pan from channels. Groups access LR busses via a pan control. Groups 5-8 have XLR outputs, 1-4 are to the mix only. All have inserts.
• 8 Auxiliary Sends: 8 auxiliary switchable pre/post fade in blocks: 1-4, 5-8. Aux masters are rotary controls. Auxes 1-4 have inserts and XLR outputs.
• 4 Mute Groups: 4 selector switches on input channels assign the mute groups. These are controlled by 4 large illuminated master mute buttons
• 4 Band EQ plus HPF: Seperate controls for sweep and cut/boost on mid bands. HPF @ 100Hz is switchable
• Engineer's Toolbox: Headphone and wedge monitor controls. 3 segment LED meters on input channels and 4 segment LEDs on GRP/Aux masters. 12 segment bar meter on L & R follows the PAFL system. Channels have direct outs (TRS) for recording.

Product Description

The FP410 uses Shure IntelliMix® to dramatically improve audio quality by providing greater gain-before-feedback, reducing the pickup of ambient noise and reverberation, and virtually eliminating comb filtering effects. IntelliMix® combines three key features: NOISE-ADAPTIVE THRESHOLD activates a microphone for speech but not for constant room noise; MAXBUS limits the number of activated microphones to one per talker; LAST MICROPHONE LOCK-ON keeps the most recently activated microphone open until a newly activated microphone takes its place. Primary applications include video production, broadcast, conference recording, and field production. One rack space high, accessory rack ears supplied. Battery (two standard 9-volt alkaline) or 120/230 Vac power. ... Read more

Product Description

The MM-04 features 4 stereo channels, 6 line, 3 Mic, 2 convertible phono/line, RCA inputs, rotary master, zone, balance and cue volume controls, master, zone and record RCA outputs, balanced master output, 3 band rotary line EQ control per channel with cut feature, bright blue LCD display, DSP module with 25 effects & a wide range of parameters, Dry/Wet fader control, rotary control FX selector, rotary parameter control, large backlit soft touch on/off EFX button, assignable cross fader, rotary gain control per channel , XLR-1/4" combo Mic input, rotary Mic volume & 2 band rotary Mic EQ controls. These feature packed units are great club installation units. Use these mixers to layer multiple channels for stellar mixes. Have 3 MC?s rhyming at the same time, while adding FX to their vocals. There are so many combinations of uses that the MM series can handle, that these units are sure to advance the skills and creativity of even the most novice DJ. Features: Onboard DSP Effects w/backlit soft touch on/off and Dry/Wet mix5 stereo channels8 line, 3 Mic, 2 convertible phono/line RCA inputsMaster, record, & zone RCA outputs1/4? balanced master outputs3 band rotary EQ per channel with cut featureRemovable, user replaceable Rail Glide cross faderAssignable cross faderRotary gain channel controlRotary master, zone, balance & cue volume controlsXLR-1/4" combo Mic input ... Read more

Product Description

Designed for the best possible performance with active loudspeaker systems, the CFX-16MkII features four subgroups, precise nine-band stereo graphic EQs for greater sonic control, and Mackie's EMAC 32-bit effects processor - eliminating the need for outboard FX units. Built to exacting standards for incredible durability, new impact-resisting rubber side panels have been fitted, now featuring Onyx series knobs and new graphics for better low-light visibility. All this at a price lower than the original CFX-16! Also features inserts on all channels, FX sends, up to 2 monitor mixes with their own effect settings, and much more! Features and Specifications: Genuine high-headroom Mackie mic preamps12 Mic/Line mono channels, 2 stereo line32-bit EMAC? digital effects with 9 reverbs, 4 delays, phaser, chorus, flanger, 2 parameter controls and EFX wide spatial expanderEFX to Monitor control9 band stereo graphic equalizerInserts on all mic channels and main mixTrue 4-bus design with direct sub outs and L/R assign2 Pre/Post Aux sends and internal/external FX sends3 Band EQ with sweep mid (100Hz-8KHz) on each mic/line channel4 Band EQ on stereo line channelsPan, Mute, PFL solo on each channel100Hz low-cut filters on each mic/line channelSubwoofer output from built-in 18dB/octave, 75Hz crossoverBreak switch mutes all channelsHeadphone output with level controlTape/CD inputs with level control assignable to main mix ... ... Read more

Product Description

Stanton's SMX-501 has been designed as a hybrid three-channel, Techno/Scratch mixer, which will appeal to both the turntablist and club/rave DJs alike. Seldom will DJs find so many features incorporated into the design of a battle mixer; this makes the SMX-501 truly one of a kind, offering the best of both worlds.Effects loop, which can be assigned to each individual channel, plus the micCustom high-quality Penny & Giles (P&G) crossfader, with VCA curve adjustment and crossfader assignAssignable crossfader (A, B, Bypass)VCA crossfader curve control and reverseCurve control and reverse on Line fadersEach channel features gain control, slider pan, and a versatile three-band EQ with complete killBalanced XLR master output (unbalanced RCA also provided)Booth outputRotatable three-position phono/line switch with flash featureSeparate channel input and master output LED metersHeadphone muteDual headphone outputs (1/4"/6.3mm and 1/8"/3.5mm)Fully-assignable Send/Return connections for external effectsPre Fader Listen (PFL) of channels and effects loop with Cue Pan controlThree line, three phono, and two mic inputsMic channel features gain controls and three-band EQ.Channel fader reverse switchProtekt PanelUser-replaceable fadersOS2 compatibleDimensions (LWH): 14" x 10.25" x 3.75" (355mm x 259mm x 95mm) ... Read more

Product Description

The 6306 is the first product in the new Tapco by Mackie® family, designed for live sound applications and an exceptional price/performance ratio. Its small size belies its many features, including 2 mic inputs, 2 instrument inputs, 2 stereo line inputs, 2 aux sends, a stereo aux return, tape in and out, and stereo control room and phones outputs in addition to the main outputs. The TAPCO 6306 is designed for rugged, 24-hours-a-day use. Its sturdy construction houses durable double-sided SMT-plated fiberglass circuit boards. Impact-resistant knobs are mounted so they ride just above the steel chassis, absorbing impact to minimize damage. ... Read more

Product Description

- Power: 200 watts (peak)/ 100 watts (rms) - Controls: 4 separate Bass & Treble (separate channels) - Inputs: XLR x 4, ¼" x 4 - Jacks: CD/ Tape, In/ Out RCA - Size: 18.9" W x 5.9" H x 11" D - Weight: 20lbs ... Read more

Features

• Power: 200 watts (peak) / 100 watts (rms)
• Controls: 4 separate Bass & Treble ( separate channels)
• Inputs: XLR x 4, ¼" x 4
• Jacks: CD / Tape, In / Out RCA
• Size: 18.9" W x 5.9" H x 11" D - 20 lbs

Product Description

The PS-02 features 3 band total kill switches, 6 line, 3 convertible phono/line, RCA inputs, ?? balance outputs, triple ground screws for easy connectivity, removable face plate for user replaceable Rail Glide cross fader, lighted push button cue section with Cue split/mix switch, dual VU display with bright LED and switch mode, and ?? headphone output and mic input. The PS series from Gemini is the continuation of Gemini?s long tradition with the conception of innovative products, tools for the practical DJ. Features: 10" 3 stereo channel mixer6 line, 3 convertible phono/line, RCA inputsMaster, record, & zone RCA outputs?" balanced outputsTriple ground screw for easy connectivityRemovable face plate for user replaceable Rail Glide cross fader3 band EQ kill switches with flash effect3 band rotary line EQ with cut feature & rotary gain channel controlLighted push button cue sectionRotary zone & balance controlsDual VU display with bright LED & mode switchMaster volume fader control ... Read more

Product Description

Designed to take the hassle out of mixing live performances, Mackie's CFX.mkII Series compact live sound mixers feature genuine Mackie mic preamps, four subgroups, precise nine-band stereo graphic equalizers for greater sonic control, and onboard EMAC? 32-bit digital effects?eliminating the need for outboard effects processors and cables. Combined with Mackie Active loudspeakers, the CFX.mkII mixers are part of a complete, easy-to-use Mackie sound system. ?  High-headroom mic preamps with RF rejection ?  12 channels (8 mic/line mono, and 2 stereo line channels) ?  32-bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander ?  External and internal EFX sends ?  EFX to Monitor control ?  9-band stereo graphic equalizer ?  Inserts on all mic channels and main mix ?  True 4-bus design with direct sub outs and L/R assign ?  2 Pre/Post Aux sends and internal/external FX level sends on each channel ?  3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels ?  4-band EQ on stereo line channels ?  Pan, Mute, PFL solo on each channel ?  Inserts and 100Hz low-cut filters on all mic/line channels ?  Subwoofer output from built-in 18dB/oct. 75Hz crossover ?  Ingenious BREAK switch ?  Headphone output with level control&nbsp... ... Read more

Product Description

The FP33 is a 3-input, 2 output, portable stereo mixer specifically designed for remote audio recording, electronic field production, electronic news gathering, and location film production. FP33 features include: High-quality, sealed input potentiometers, Dynamic range of over 100dB 48V phantom, 12V phantom power, and 12V T (A-B) power, LED indicators of input levels, output peaks, limiter action, and low battery. Pop-up pan pots and a link switch to couple inputs 2 & 3 into a stereo pair, Mix Bus to connect an additional FP33 or FP32A, comprehensive headphone monitoring control including headphone MS stereo matrix, internal DIP switches for over 4,000 customized setups. The FP33 has an exceptionally low self-noise and a wide dynamic range that are perfect for use with DAT and other digital recording media. ... Read more

Product Description

Designed using the Allen & Heath Minimum Signal Path philosophy and built to the same high standards as the GL range, the WZ12:2DX is a fully professional console in a portable format. With its 8 identical mic/line channels and 2 dual stere0 channels, novices and seasoned proâs alike will feel comfortable using this mixer. ... Read more

Features

• 10 mic/line inputs
• 6 pre/post aux sends
• 4 band, 2 sweep EQ
• 100mm faders
• Desk or rack mounting

Product Description

This portable 10-channel (5 stereo) mixer is designed to offer a number of useful connections in a lightweight device. Because it can run on a 9-Volt battery, the M-10E offers a variety of input & output connections available anywhere you may need them. ... Read more

Features

• Frequency Response
• 10 Hz to 50 kHz +1/-3dB (at minimum gain)
• Nominal Input Level
• Input 1-4: -50 dBm to +4 dBm
• Input 5-8: -20 dBm to +4 dBm

Product Description

Includes MXE-612 mixer, 2 PS112 speakers, SPA850 power amp, 2 - 10' cables, 2 - 20' speaker cables, 2 - 20' mic cables, 2 StarPower 1 mics, 2 mic stands, and 2 speaker stands.The ultra-compact MXE-612 is a 2-bus, 6-channel mixer. It has 2 mono input channels with balanced XLR mic and 1/4" TRS line inputs, 4 stereo input channels with balanced 1/4" TRS jacks for balanced or unbalanced inputs, an aux send for external effects and monitoring, stereo aux returns with master control, and balanced 1/4" TRS L/R stereo outputs. It also has separate master mix, control room, and headphone outputs. Tape in and record out RCA jacks are also provided and assignable to any of the other outputs. 16 built-in selectable DSP echo and reverb effects. External AC supply for optimum signal integrity and superior transient response. 7"W x 2.5"H x 9"D. The pro-quality PS112s are full-range, 2-way cabs with 5" x 15" horns with high-compression piezo drivers and heavy-magnet 12" drivers with 300W handling. Durable carpet cover, metal corners, and recessed handles. 17"W x 23"H x 12"D. 35 lbs.The SPA 850 power amp delivers 2 x 300W @ 4 ohms, 2 x 425W @ 2 ohms; bridged mono: 600W @ 8 ohms, 850W @ 4 ohms. ... Read more

Product Description

Includes Nady SPM8600 8-channel powered mixer, PTS1015 speaker pair, 3 StarPower 9 mics, 3 - 20' mic cables, 2 - 16-gauge 20' Horizon speaker cables, and 2 Axman speaker stands. ... Read more

Product Description

The compact TAPCO 6306 is a great-sounding six-channel sound mixer with genuine Mackie-designed mic preamps and robust construction. Impact-resistant knobs are mounted so they ?ride? just above the steel chassis, absorbing impact to minimize damage.The 6306 has two mono mic/line channels with input gain controls and level-set LEDs. The balanced XLR mic inputs have switchable phantom power, and the 1/4" TRS instrument input jacks accept balanced or unbalanced line-level signals. In addition, it has two stereo line-input channels, accepting balanced or unbalanced line-level input signals. All the channels have high and low EQ controls, one monitor aux send (pre-fader), one effects aux send (post-fader), a pan control (balance control on the stereo channels), and a rotary level control.The channel EQs are comprised of a 12 kHz high-frequency shelving EQ, and an 80 Hz low-frequency shelving EQ. The Aux Return to Monitors knob lets you add effects to the stage monitor mix independent of the the effects levels added to the main mix.The outputs on the 6306 include TRS balanced/unbalanced main outputs, control room outputs, and aux sends, RCA tape outputs, and a TRS stereo headphones output.The control room output can be switched between the main stereo bus or the stereo tape input. The ?Tape to Main? switch can also route the tape input to the main stereo bus.The 8-segment LED meters indicate the signal level at the control room/phones outputs. ... Read more

Features

• Two high-headroom mic preamps
• Two mono mic/line, two stereo line channels
• 2-band EQ, Pan (mono channels) and Balance (stereochannels) controls on all channels
• Control room output with level control
• Master +48 V phantom power switch with LED indicator

Product Description

The GL3300M-824B (GL3300M-840B shown) is an 8-buss live sound reinforcement console with 20 mono inputs and 4 stereo inputs (right of center masters). An eight-buss console with great features at a very affordable price. Doubles as a by-10 monitor console at the flick of a switch. This is ideal for smaller touring companies that may need a console that can serve as a "front of house" or monitor console. The EQ is a famously British "good sounding" design, four-band with dual sweepable mids. Each channel has 100 Hz cut, phantom power select, EQ defeat, eight auxiliaries on eight knobs, and 100 mm faders. This console is designed for live sound reinforcement but also has extensive recording features like two-track in and out and channel direct outs. Meter bridge is included. Shipping weight: 84 lbs. ... Read more

Features

• 8 Audio Groups: Assignable from paired routing buttons and pan from channels. Groups access LR busses via a pan control. Groups 5-8 have XLR outputs, 1-4 are to the mix only. All have inserts.
• 8 Auxiliary Sends: 8 auxiliary switchable pre/post fade in blocks: 1-4, 5-8. Aux masters are rotary controls. Auxes 1-4 have inserts and XLR outputs.
• 4 Mute Groups: 4 selector switches on input channels assign the mute groups. These are controlled by 4 large illuminated master mute buttons
• 4 Band EQ plus HPF: Seperate controls for sweep and cut/boost on mid bands. HPF @ 100Hz is switchable
• Engineer's Toolbox: Headphone and wedge monitor controls. 3 segment LED meters on input channels and 4 segment LEDs on GRP/Aux masters. 12 segment bar meter on L & R follows the PAFL system. Channels have direct outs (TRS) for recording.

Product Description

The Aphex Audio Level Interface is designed to allow use of -10dBV consumer hi-fi equipment with +4 or +8dBm professional and industrial audio systems.It provides an extremely clean, reliable two-way buffer so both systems can operate at maximum performance levels, matching impedances and operating levels. We are not exaggerating when we tell you that the Aphex 124 is going to make your recording life so much easier!PerformanceAphex products are well known for their audio performance. The 124 is no exception. Inputs and outputs are transformerless, for wide, flat frequency response and perfect square waves to preserve transients. Hum and noise rejection are very high while the noise and distortion are almost non-existent. The 124 is so clean it is a perfectly transparent interface for digital equipment. Two Way BufferingThe 124 is actively balanced and buffered in both directions, with very low output impedances. A more expensive type of balanced input circuit is used for even higher hum and noise rejection. In addition, all inputs and outputs are carefully filtered for freedom from RF interference.Some other devices are passive in one direction, simply using resistors to lower level from +4 to -10. The passive circuitry unbalances the input, eliminates all common-mode rejection allowing for hum and noise pickup, and presents a rather high impedance at the -10 output, permitting even more noise to enter the system ... Read more