Product Description

Basic tripod mic stand with telescoping boom. Boom is 19", extends to 35". ... Read more

Product Description

6-3/8" steel base mic stand with E-Z grip choke. 13" height extends to 18". The 17" telescoping boom extends to 33". ... Read more

Product Description

Allows you to mount a gooseneck or mic boom onto any wooden surface. Standard 5/8" threading accepts any standard boom or gooseneck. Mounts with wood screws. ... Read more

Product Description

13" flexible goosenecks that attach to any microphone stand or adapter with standard 5/8" -27 male and female threads. Inside diameter is .338". ... Read more

Product Description

The Shure model A27M is a stereo microphone adapter designed to hold two microphones in selectable positions for stereo broadcasting, recording or sound reinforcement. It allows two microphones to share one stand without losing independent positioning flexibility. The A27M permits coincident or closely spaced mounting with a wide range of directional angles, and vertical microphone separations of 1 1/4 inches (31.8 mm), 2 5/8 inches (66.7 mm) or 4 inches (102 mm). ... Read more

Features

• stereo microphone adapter
• allows two microphones to share one stand
• without losing independent positioning flexibility

Product Description

The Audix D-Clamp is designed to attach to the tension rod of percussion instruments like congas and bongos. The D-Clamp features an extra long heavy-duty gooseneck for precise mic placement. ... Read more

Features

• Audix Percussive Arts Specialist, Rob Schnell, says,
• Weâve subjected the D-Clamp to some rigorous road testing and it is rock solid
• With the low profile and low mass, it is extremely convenient for the drummers and sound engineers
• We designed it to work with our D-series, the Micro-D, and it will also work with other microphones

Product Description

Fully padded nylon carrying case securely holds 6 mics. Includes adjustable shoulder strap. ... Read more

Features

• Fully padded
• Securely holds 6 mics
• Zippered pouch holds cables and other gear

Product Description

This basic stand has become the standard for broadcast pros! Choose Black powder coat shaft, or Chrome. Quality, innovation, and a desire to offer new designs to today's music professional all go into the production of On-Stage microphone stands. ... Read more

Product Description

The MP13 is designed to provide a small, simple, and inexpensive microphone pre amplification for a variety of applications. The unit has both XLR and 1/4" Inputs and Outputs, and a single Gain control with a Clip indicator. Phantom powering is included for use with a condenser microphone. The 1/4" Output is specially designed for use as either a mono unbalanced output, or a stereo headphone output. The unit comes complete with a power adapter. ... Read more

Features

• Phantom powering is included for use with a condenser microphone.

Product Description

Use this when you need to mount 2 mics on one stand. Snapping clamp has a stand adapter and 2 microphone clips. ... Read more

Product Description

Fits most mics. ... Read more

Product Description

Neoprene body-pack belt pouch for LX1, SC1, T1, SLX1, U1, UT1 and ULX1 bodypack transmitters. ... Read more

Product Description

Foam windscreen helps decrease pops and hissing from vocals while speaking or singing. Designed to fit SM57-style microphones. ... Read more

Product Description

These heavy-duty, flexible 5/8"-27 thread mic clips fit most wired mics. ... Read more

Product Description

Fits most mics. ... Read more

Product Description

This transformer connects microphones with an XLR-type connector to the 3.5 mm (9/64 inch) inputs found on camcorders and other recording devices. It increases the signal level from the microphone, provides a balanced input, and prevents distortion due to the d.c. bias typically found in camcorder microphone inputs. The A96F can be modified for microphones rated at 150 ohms. This modification is only necessary if the output level from the A96F is insufficient for your recording device. Specifications: • Frequency Response: 20 to 20,000 Hz ± 2 dB • Impedance; Low impedance: 600 ohms (supplied) or 150 ohms, Medium impedance: 2,500 ohms • DC Resistance; Low impedance: 600 ohms winding: 56 ohms, 150 ohms winding: 28 ohms, Medium impedance: Open Circuit • Voltage Ratio, Low impedance to medium impedance:600 ohms: +6 dB, 150 ohms: +12 dB • Case: Full magnetic shield, steel with gray enamel finish • Dimensions: 19 mm (3/4 in.) diameter; 89 mm (3 1/2 in.) long ... Read more

Product Description

Includes a 34 in. aluminum tripod stand, which can be elongated to 62" with a 32" boom. Great for getting mics into hard-to-reach places, or for singing drummers. ... Read more

Product Description

52-tooth locking clutch with black powder-coat finish. Fits onto standard mic stand, holds any standard mic boom. ... Read more

Product Description

Foam windscreen for SM85, SM86, SM87A, Beta 87A, Beta 87C and BG5.1 microphones. ... Read more

Amazon.com Product Description

Midiman M-Audio DMP3 Dual Microphone/Instrument Preamp is a quiet, powerful device that is ideal for any recording studio. Based on the M-Audio preamp technology, the DMP3's amazing 20 Hz to 100 kHz frequency response makes it ideal for today's 96 k recording work. The DMP3 delivers exceptional dynamic range, capturing all the nuances of your music, not to mention an unbelievable 66 dB of gain.

The DMP3 gives you two completely independent channels of high gain, ultra low noise pre-amps in a sturdy, desktop unit. Each channel provides low impedance microphone inputs on XLR connectors with optional phantom power. Microphones, guitars with magnetic or piezo pickups, and any other instrument that needs a boost in gain to line level will benefit from the superior sonic quality of the DMP3. The low-cut rumble filters for each channel eliminate unwanted, pesky low-end noise.

The movements of the large, classic VU meters give an excellent visual representation of output levels and are also a great indication of the soul you'll find in the DMP3's sound. Whether you use it live or in the studio, the DMP3 is a piece of gear destined to be integral in defining your sound. ... Read more

Features

• Two completely independent preamp channels
• Exceptional frequency response, extremely flat throughout all frequencies
• Separate low-cut filters for each channel with switch and LED indicator
• Separate gain controls for each of the pre-amplifiers
• Sturdy desktop unit with a handsome, vintage look