Product Description

Black with plastic mic swivel retainer and brass insert. ... Read more

Product Description

Die-cast construction. Fully adjustable. Standard height with 33" boom. ... Read more

Features

• Die-cast construction
• 33" boom

Product Description

10" steel base mic stand with E-Z grip choke and 34"-60" adjustable height. ... Read more

Product Description

Basic tripod mic stand with 33" fixed boom. ... Read more

Features

• Basic tripod mic stand with 33" fixed boom.

Product Description

This adjustable desk stand is an upgrade to the standard desk mic stand. This stand includes an adjustable-height shaft and die-cast steel clutch.Height adjustable from 9-1/2" - 15-1/2"Base diameter 6" ... Read more

Amazon.com Product Description

Midiman/M-Audio has long been in the audio mixer business. The Audio Buddy is their latest-generation mixer, and they have maintained their attention to making a quiet and uniquely configured mixer. This box is made for the MIDI and multimedia musician. The unit has a higher than usual voltage rail across its internal op-amps, giving you more dynamic audio output. Features include: two independent XLR, fully balanced inputs, two alternate, independent quarter inch, high impedance inputs, separate gain controls for both preamps, power switch for both mic preamps, heavy-duty metal construction, and quiet S/N specs.

What's in the Box
Mic preamp and direct box. ... Read more

Features

• Audio Buddy features -
• 2 independent XLR, fully balanced inputs
• 2 alternate, independent 1/4 unbalanced, inputs, high impedance to match typical electric guitars
• Separate gain controls plus signal and clipping LEDs for each of two preamplifiers
• Switchable XLR phantom power for both mike preamps

Product Description

This is a professional telescoping boom with separate knobs for length and angle adjustment. A deluxe chrome locking washer is included. ... Read more

Features

• 17" boom extends to 33"

Product Description

Phonograph records have three basic problems:1. It is physically impossible to press them with ridges that end up allowing low frequencies to come out at the same reproduction level as mid and high frequencies. Bass compensation is therefore needed during playback.2. Records produce a certain amount of hiss which is covered up in post-production by boosting the gain of the high frequencies before pressing. Counter-EQing during playback compensates for this.3. Magnetic cartridges produce a weak signal, which must be boosted to match the rest of the amplification, and this too is done during playback.In the mid-1950s, the RIAA (Recording Industry Association of America) established compensation standards. The resulting RIAA preamp has been built into every hi-fi and stereo amplifier with phono or turntable inputs since then. A separate RIAA preamp is necessary when you are connecting a turntable to a mixer that does not have one built in. The DeeJayPRE features an RIAA-type phono preamp circuit housed in a rugged metal case with full patching facilities for connecting it to a phono turntable and mixer. ... Read more

Features

• Connects a turntable to any receiver or mixer
• RIAA equalization
• Dual RCA-type inputs and outputs
• Additional 1/4" stereo output
• Ground terminal

Product Description

ShureLock swivel mount for KSM27 and KSM32 microphones. ... Read more

Product Description

Complete package includes 6 On-Stage tripod mic stands with booms and a mic stand bag. ... Read more

Product Description

Attaches to mic stand; gooseneck allows proper placement of 6" Lycra screen in front of mic. Stops plosives. Protects your mic. ... Read more

Features

• Stops plosives
• Protects your mic
• Flexible gooseneck holder
• Swivel mount for easy positioning

Product Description

Replace that nasty, dented, egg-shaped grill with this genuine Shure part and make your SM58 look new again! Fits all SM58 Series microphones. ... Read more

Product Description

Protect your mics against wind interference, singers' spit, and maybe even Steven Tyler's lips (no guarantees). ... Read more

Product Description

Super-hard steel means you'll get wobbly before it does. ... Read more

Product Description

The Tube MP is a tube mircrophone preamp that offers a superb level of sound quality, using a special tube and integrated circuit design combined with a straightforward user interface to quickly and easily access all of its many features. The main application of the Tube MP is as a microphone preamplifier but you can use it to interface any instrument directly to a console, amplifier, signal processor or recorder or it can be used a direct box, particularly for bass guitar. ... Read more

Features

• Hand-selected 12AX7A vacuum tube
• Provides over 60dB of gain
• Variable input and output gain controls
• Excellent as a Tube Direct Box
• XLR and 1/4" inputs and outputs

Product Description

Mono microphone preamplifier with many features and a "tube blend" that allows the user to operate the VT-1 as a solid state device with the ability to blend in the tube circuit with variable control over the amount of blend. ... Read more

Features

• 48 Volt Phantom Power
• Phase Reverse
• Variable Input Gain Control On Detented Pot
• 1/4" Jack On Front Panel
• High Pass Filter

Product Description

The Tube PAC from ART is a combination of the world's most popular tube mic/line preamplifier and optical tube compressor. ART engineers took the Tube MP and Tube Compressor and combined them into a single convenient aircraft-quality, extruded aluminum chassis. This new table-top design allows for easy placement in the studio or on the stage with immediate access to all the controls, features, and metering. In addition to being a tremendous vocal and instrument preamplifier and compressor package, this may well be the ultimate in tube direct boxes! ... Read more

Features

• Dimensions 5
• 25"D x 8
• 5"W x 1
• 65"H
• Weight 6

Product Description

The Tube MP Studio V3 features ART's V3 (variable Valve Voicing) technology - found only in ART microphone preamplification systems. Provides superior preamplification for microphones, instruments, and line level sources. The hand selected 12AX7A tube provides over 70dB of gain. Features: smooth, warm and fat sound quality, variable input and output gain controls, XLR and 1/4" outputs, +48 volts phantom power, phase reversal switch. Excellent as a tube DI. ... Read more

Features

• Phase Reverse
• +48v phantom power
• Clip LED
• +20dB switch
• An analog VU meter for visual tracking of the signal

Product Description

Foam windscreen for Sennheiser ME66 Microphone. ... Read more

Product Description

The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. Typical applications for the Beta 58A include lead vocals, backup vocals and speech. Smooth, extended frequency response for outstanding sound for professional live vocal useConsistent supercardioid pattern provides the best gain-before-feedback among dynamic microphonesPneumatic shock mount reduces handling noiseFrequency response: 50 to 16,000 Hz ... Read more

Features

• Type
• Dynamic (moving coil)
• Frequency Response
• 50 to 16,000 Hz
• Polar Pattern