Product Description

This Sennheiser microphone is a low-impedance (200 ohms) balanced output unit terminating in a standard 3-pin XLR-type connector. It features rugged professional construction and a 5 position bass roll-off switch. ... Read more

Features

• 5-position bass control
• Very effective feedback rejection
• Highly directional cardioid pickup pattern
• Rugged construction

Product Description

Specifications: Frequency Response: 50 - 15,000 Hz; Dynamic: 110 dB; RF Frequency Range: 210 ~ 270 Mhz; Operation Range: 200 Ft Adverse Condition , 800 ft line of sign; Current consumption: 25mA; Lower Battery Indicator; Power On/ Off Mute; Volume Control; Frequency Steadying: Less than 0.002%; Modulation Mode: FM. Package: 4 VHF Wireless Microphones; 3ft 1/4" to 1/4" Microphone Cable; 4 x (9V) batteries; Manual book. If you order 2 or more set, please call us and we can select difference frequency systems to fit your requirement. ... Read more

Features

• 4-Channel Wireless Micorphone System with 4 Hi-Fi heavy duty handheld microphones
• Long range high VHF transimission and receiving with minimal interference, up to 800 feet
• 4 individual and 1 mixed standard 1/4" output
• Stylish and compact design, rack mountable
• 90 days money back guarantee and 1 year limited manufacturer's warranty

Product Description

The ME 67 is a long gun microphone capsule designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be used where the microphone must be placed at a distance from the sound source. Matt black, anodised, scratch-resistant finish. Specifications: Pick-up pattern: super-cardioid/lobar. Frequency response: 40 - 20,000 Hz ' 2.5 dB. Sensitivity (free field, no load) (1 kHz): 35 mV/Pa ' 2.5 dB. Nominal impedance: 200 Ohms (with K6). Min. terminating impedance: 1000 Ohms (with K6). Equivalent noise level A-weighted (DIN IEC 651): 16 dB CCIR-weighted (CCIR 468-3)27 dB. Max. SPL (1kHz): 125 dB (THD = 1 %). Dimensions: 22.5 x 221 mm. Weight: 65 g. ... Read more

Features

• Lobar pick-up pattern
• Highly directional
• Very Low inherent self-noise
• High sensitivity factor
• Wide frequency response

Product Description

This is light-weight headworn, dynamic specifically designed for performing musicians, djs, aerobic instructors - anyone requiring a high quality microphone with hands-free operation. Features a hi-energy neodymium magnet with almi-chromate coating and a convenient belt clip. ... Read more

Features

• Element
• Neodymium Dynamic
• Polar Pattern
• Hypercardioid

Product Description

In-Line Power Supply (120V ac) for models 200M, FP22, FP24, FP33 mixers, the P4M and P4T PSM Receivers, and the SLX4, T3, T4V, T4G, T4N, T88 and LX88 Wireless Receivers. ... Read more

Product Description

The KSM27 is a side-address condenser microphone with a cardioid polar pattern. Designed for studio use, but rugged enough for live applications, it has an externally biased, 1-inch diaphragm, extremely low self-noise, and an extended frequency response specially tailored for vocal tracking and instrument recording. ... Read more

Features

• Cardioid polar pattern â the most commonly used pattern for both studio and live applications
• 1 inch, externally biased, ultra-thin, 24 Karat gold-layered, low mass, Mylar® diaphragm provides superior transient response
• Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response and no crossover distortion, while minimizing harmonic and intermodulation distortions
• Premium electronic components and gold-plated internal and external connectors
• Subsonic filter eliminates rumble from mechanical vibration below 17 Hz

Reviews (1)

Awesome studio mic for the price!
I was setting up a home studio for recording an acousitc foursome using track-at-a-time recording.I started off trying to use our stage mics, the venerable Shure SM-58s.What a mistake.I diddn't realize what a difference a mic could make till I purchased this one!

I looked at a variety of higher end mics including the $700 KSM44.I'm sure the higher priced ones are better, but I certainly couldn't tell the difference.This KSM27, is absolutely breathtaking!I used it to record male and female voices, acoustic guitar, acoustic contra bass, saxophone, clarinet, and both wood and plastic recorders.

The reproduction is spot on!Its accurate across the entire frequency spectrum, picking up the deep growl of the contra, the biting edge of the saxophone, and the smooth sweetness of the clarinet with equal accuracy.

If you haven't used a condesner mic before, there's a couple of things you should be aware of.First, you need a preamp that supplies phantom power for the mic (most do).Second, these mics are VERY sensitive.This means you can move a foot or so away from the mic and it will actually do a better job of accurately recording your voice or instrument.It also means you'll need a very quiet environment.I used a small room, draped the walls with blankets to absorb sound, and removed items like ticking clocks.But watch out for cars going by outside, or neighborhood dogs barking.

If you're starting out setting up a studio and are on a budget, this baby performs with the best mics out there at half the price!You can't go wrong!Highly recommended. ... Read more

Product Description

The Sennheiser Evolution E 835-S is a lead, vocal stage mic, designed to perform under pressure. Uniform frequency pick-up pattern maintains signal quality when moving on and off axis during performance. Gentle presence boost to even tonal response ensures clarity and projection. Minimal proximity effect provides consistently clear bass and performance when singing closer to or further from capsule. ... Read more

Product Description

The ME 66 is a short gun microphone capsule designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film, and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments as it discriminates against sound not emanating from the main pick-up direction. Matte black, anodized, scratch-resistant finish. ... Read more

Product Description

Panasonic's vision of the digital future is driven by the needs and aspirations of its business customers and millions of consumers around the world who use its products every day. The company shares their dream to live a fuller life by providing ways of working smarter and enjoying the rewards of technological advances. ... Read more

Product Description

Small, light and comfortable to wear, this stylish Bluetooth headset is long on talk and standby time and high in sound quality. Wireless connectivity gives you the freedom to move around and talk naturally.Designed for the style-minded, the HBH-65 is discreetly built and sits neatly on either ear. It supports voice dial, answer and reject, and can connect to your phone from a range of up to 10 meters. Intuitively placed buttons for call handling and volume control make it a pleasure to use. ... Read more

Features

• Weighs less than 1 ounce
• Up to 2.5 hours of of talk time and up to 70 hours of standby time!
• Comes with a 110V-220V charger with a USA 110V type plug. To charge in countries with a different voltage requires a plug converter so you can change the 110V plug to match your voltage plug type
• Compatible with -
• Motorola - Motorola V525 (unlocked) Motorola v600 (unlocked)

Reviews (3)

Everything That Is Expected...
Actually... my dad got this one for his Sony Ericcson Mobile.. T69i...

hhe had gotten this for free from his company so it was just lying around in its box since it arrived
he paired it once with his cell but he didnt use it much as he prefers talking thru the cell

I recently bought a new Nokia 6600 and i wanted a bluetooth headset
as the 6600 is TOOO fat to handle all the time :D :D...

It was then, when he mentioned this...
This is a DREAM piece... Its a must buy... Its sleek, stylish..
and it does its job to the utmost satisfaction...
It provide high quality stereophonic sound and has no CONS at all...
Charging time is VERY less and it has talktime of 3-3.30hrs and a standby time of around 3-4 days!!!

A brilliantly done piece, much better than all the headsets out there

sleek, stylish and light
I bought this bluetooth headset and am currently using it with my Sony Ericsson 610. It is really light weight and when you put it on you hardly feel it on your ear. Prior to this I tried the HBH-30 which is a little bulky. I had problems after pairing the HBH-30 which is why I replaced it with HBH-65. Took me couple minutes to pair with my phone and very easy handling.
CONS:
- The power on light is hardly visible during day time which makes it difficult to figure out whether it is ON or OFF.
- Less talk time compared to HBH-30

Overall I really liked this and I recomend to anyone who does not have to use the headset for long hours.

sleek, stylish and light
I bought this bluetooth headset and am currently using it with my Sony Ericsson 610. It is really light weight and when you put it on you hardly feel it on your ear. Prior to this I tried the HBH-35 which is a little bulky. I had problems after pairing the HBH-35 which is why I replaced it with HBH-65. Took me couple minutes to pair with my phone and very easy handling.
CONS:
- The power on light is hardly visible during day time which makes it difficult to figure out whether it is ON or OFF.
- Less talk time compared to HBH-35

Overall I really liked this and I recomend to anyone who does not have to use the headset for long hours. ... Read more

Product Description

Mono microphone preamplifier with many features and a "tube blend" that allows the user to operate the VT-1 as a solid state device with the ability to blend in the tube circuit with variable control over the amount of blend. ... Read more

Features

• 48 Volt Phantom Power
• Phase Reverse
• Variable Input Gain Control On Detented Pot
• 1/4" Jack On Front Panel
• High Pass Filter

Product Description

Designed for audio journalists and field reporters, the Sennheiser MD 46 offers a host of advantages. Its extended frequency response provides clarity that exceeds any comparable mic in its class, and it's dimensions and weight ratio lend a completely comfortable feel. Add the fact that it's rugged enough to stand the strain of ENG/EFP, and you have a dynamic winner. Shipping weight: 1.91 lbs. ... Read more

Features

• Acoustic Principle: Pressure Gradient Transducer
• Frequency Response: 40-18,000 Hz
• Pick-up Pattern: Cardioid
• Rejection at 1kHz at 180 degrees: >20dB
• Dimensions: 1.92" x 9.84"

Product Description

An inexpensive version of the PZM-30 and PZM6 with XLR output, can be phantom or battery powered.The Crown® PZM®-185 Pressure Zone Microphone® is a microphone designed for general-purpose use. Ideal for applications such as conferences, group discussions, interviews, broadcast, home video production, lectures, and recordings. The mic can be placed on a large surface such as a table, floor, wall, or lectern. The PZM-185 is powered either by an internal AAA 1.5V battery or 12-48V phantom power. The boundary "paddle" can be detached so the mic will fit in your pocket. Attached to the mic is an 8-foot (2.438-m) cable leading to a tubular power module. The microphone’s low-profile design reduces "mic fright" and minimizes clutter. It is nearly invisible on camera. The PZM-185 minimizes pickup of vibration and handling noise. Its electret condenser capsule provides a wide, smooth frequency response from 50 Hz to 16 kHz. The mic’s hemispherical polar pattern allows clear pickup of everyone surrounding the microphone. The PZM-185 is protected against static and RFI. The output is balanced, low impedance, which allows long cable runs without hum pickup or high-frequency loss.Like other Pressure Zone Microphones, the PZM- 185 uses a miniature mic capsule mounted very near a sound-reflecting plate or boundary in the Pressure Zone. In this zone, direct sound from the sound source combines in phase at all frequencies with reflected sound off the boundary. ... Read more

Product Description

The Tube PAC from ART is a combination of the world's most popular tube mic/line preamplifier and optical tube compressor. ART engineers took the Tube MP and Tube Compressor and combined them into a single convenient aircraft-quality, extruded aluminum chassis. This new table-top design allows for easy placement in the studio or on the stage with immediate access to all the controls, features, and metering. In addition to being a tremendous vocal and instrument preamplifier and compressor package, this may well be the ultimate in tube direct boxes! ... Read more

Features

• Dimensions 5
• 25"D x 8
• 5"W x 1
• 65"H
• Weight 6

Product Description

This system offers separate capsules and powering modules that can be combined to produce a wide variety of microphones. A single module plus a few capsules can provide the user with a flexibility that would otherwise require investing in numerous individual microphones. The system converts quickly from one type of microphone to another by simply threading together various system components. ... Read more

Product Description

The Tube MP Studio V3 features ART's V3 (variable Valve Voicing) technology - found only in ART microphone preamplification systems. Provides superior preamplification for microphones, instruments, and line level sources. The hand selected 12AX7A tube provides over 70dB of gain. Features: smooth, warm and fat sound quality, variable input and output gain controls, XLR and 1/4" outputs, +48 volts phantom power, phase reversal switch. Excellent as a tube DI. ... Read more

Features

• Phase Reverse
• +48v phantom power
• Clip LED
• +20dB switch
• An analog VU meter for visual tracking of the signal

Product Description

Ideal for applications such as conferences, group discussions, interviews, home video production, lectures, and recordings. The mic can be placed on a large surface such as a table, floor, wall, or lectern. Element Type: Electret Condenser Frequency Response: 50 Hz to 16 kHz Polar Pattern: Hemispherical Impedance: 1600 ohms, unbalanced Sensitivity: 20 mV/Pa (–54 dBV/Pa) The Crown Sound Grabber II is a Pressure Zone Microphone® ... Read more

Product Description

Whether you're playing live or rehearsing, you need to hear yourself to be your best. That's what monitoring is all about. Yet some performers still struggle with booming floor wedge monitors and loud stage volume. The PSM200 is the personal monitoring break through that performers have been waiting for. Featuring smart, versatile components that grow with you as your needs change, the PSM200 series is a practical alternative to floor wedges for performers who want to start out In Ear and stay there.The system includes the .Thedual-function receiver can operate as a wired bodypack, wireless bodypack (with optional P2T TransMixer), or both simultaneously.Frequency locatorBuilt-in headphone limiterIntegrated cable managementHigh-impact plastic chassis1/4" Line input jack with high/low gain switchVolume knobFrequency selectPowerRF receptionFrequencyLimiterLow batteryTheSound Isolating Earphones feature high energy speakers for full range sound.Sound isolating and unobtrusive Shure earphones are designed specifically for use with Shure PSM systems and deliver the incredible sound and performance that ear buds and other headphones simply can't. Don't go In Ear without them.Along with their high fidelity, full-bandwidth transducers, the natural design of these stereo earphones allows them to rest comfortably in the ear, providing a tight seal for sound isolation and a snug, secure fit. Shure Sound Isolating Earphones can ... ... Read more

Features

• Built-in audio limiter
• Includes hybrid bodypack receiver, and earphones
• Add a P2T TransMixer later to upgrade to wireless

Product Description

Foam windscreen for Sennheiser ME66 Microphone. ... Read more

Product Description

A new design makes these headphones light, comfortable and easy to use. The cord is stored in ear hook to prevent it from touching your face. ... Read more

Features

• Black, Blue & Silver "Ear Gem" Headphone w/ Solid Clip, Rear Wire Feed