Product Description

Street Style - Sony's cutting-edge approach to headphone fashion. Thanks to non-slip design these headphones stay on your ears, even during active sports - ideal for jogging, dancing, aerobics, blading and other activities. They feature Sony Acoustic Turbo Circuit - extended bass response and clear treble - all in a lightweight, portable design to enhance your music experience. ... Read more

Features

• Oxygen-free copper cord for max conductivity and minimal noise
• Open-air headphones are worn behind-the-neck for comfort, fashion and stability
• Volume control on cord allows for easy manipulation of music's volume
• 30 mm diameter driver for delivery of deep bass
• Neodymium magnets provide maximum energy with minimal size

Reviews (2)

best in class
I've used my pair frequently for about seven months.

When used with a pocket-sized player (such as a digital player), the volume control on the cord (which distinguishes this model from MDR-G57G, MDR-G52LP and MDR-G72LP) is convenient---particularly for a person like myself whose playlist often contains classical, jazz and rock.

The plastic armature can be adjusted by bending.After a little adjustment, I've found them exceptionally comfortable for extended wear, even with glasses.

The slightly obnoxious silver Sony logo is on a pair of plastic inserts that can be removed easily.

Comfortable
These do seem to be a little heavy, I could feel a little difference.These are though very comfortable.The bass seems to sound better than my other headphones on full bass, which is good.There is a volume control on your headphones, but I don't really understand why you need it, unless you really have to change volume.It is a behind the neck strap type headphone, and sort of disappointing that you can't put your head back.After a while though, it starts to hurt, but only for a few minutes, then, more music.It is gold plated, and I got this for [$$$].It does not fall off your ears unless you start hitting the neck strap.Part of the headphones are made of rubber, to keep the headphones in place.I would recommend it to anybody.Plus, if you really want to hear the music without it, full blast.But, high volumes do seem to be really hard for people to hear (or not at all), like my CD player. ... Read more

Product Description

Attaches to mic stand; gooseneck allows proper placement of 6" Lycra screen in front of mic. Stops plosives. Protects your mic. ... Read more

Features

• Stops plosives
• Protects your mic
• Flexible gooseneck holder
• Swivel mount for easy positioning

Product Description

The B Series sounds great and is built with the quality you would expect from Studio Projects. With strong resemblances to our popular C Series, the B Series promises to change the way you think about inexpensive microphones. ... Read more

Features

• APPLICATIONS:
• A do all general purpose recording Mic
• Great for close miking amplifiers with high sound pressure levels
• Great for production, broadcast, and voice over work
• Perfect for the professional and home project studio

Product Description

Replace that nasty, dented, egg-shaped grill with this genuine Shure part and make your SM58 look new again! Fits all SM58 Series microphones. ... Read more

Product Description

The Model SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music andspeech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to it's standard windscreen, it also includes the A7WS windscreen for close-talk applications.Flat, wide-range frequency response for exceptionally clean and natural reproduction of both music and speechBass rolloff and mid-range emphasis (presence boost) controls with graphic display of response settingImproved rejection of electromagnetic hum, optimized for shielding against broadband interference emitted by computer monitorsInternal "air suspension" shock isolation virtually eliminates mechanical noise transmissionHighly effective pop filter eliminates need for any add-on protection against explosive breath sounds, even for close-up vocals or narrationNow shipping with the A7WS detachable windscreen, designed to reduce plosive sounds and gives a warmer tone for close-talk vocalsYoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone positionClassic cardioid polar pattern, uniform with frequency and symmetrical about axis, to provide maximum rejection and minimum coloration of off-axis soundR... ... Read more

Features

• ARCHITECTSâ SPECIFICATIONS
• The microphone shall be a moving coil (dynamic) type with
• a frequency response of 50 to 20,000 Hz
• The unit shall have
• a cardioid polar characteristic

Reviews (2)

Broadcasting Mic
I am a Dj and the SM7B is a pretty good mic it is clear and has an occasional pop. I think that for on air use it is a good affordable buy. I would recommend it very highly.

BEST VOICE MICROPHONE THERE IS!
If you are looking for a microphone for voice-overs or broadcast use, THIS IS WHAT YOU NEED TO BUY.

The Shure SM-5 and SM-7 microphones are the best voice mics ever made. The large SM-5 is no longer made, so you can only find it used, but the SM-7 is just as good.Either one, you have the best.

Don't let the price fool you. I have brought this in to studios that have $3000 Neuman condenser mics and they laughed when I said I wanted to use my $300 Shure mic instead.I told them to put up both mics and do an A/B test while I spoke into each of them. They had to agree, the Shure was better and it was a night and day difference, not hard at all to decide it was best.

Even industry publications like MIX MAGAZINE and RadioWorld have done reviews where they did the same tests and said the same things about this mic in comparison to the expensive condenser mics.

This mic has a warmth and rich sound no other mic can give you.


... Read more

Product Description

A unique flat profile, supercardioid dynamic microphone based on thelegendary MD409. Modernized specifications provide a wider frequencyresponse, greater directionality, and increased sensitivity. With a maxSPL rating of greater than 150 dB, the e609 Silver is optimized for mikingguitar cabinets, drums, and brass instruments.Specially designed for miking guitar cabs. Laterally-mounted capsule mikes guitar cabs face on, extremely closely to the signal source. Super cardioid pattern provides isolation from other on-stage signals. Lightweight voice coil construction and rigid dome diaphragm provide both extended high frequency performance and a long-wearing capsule assembly. Also suitable for miking drums, especially toms. 40Hz - 18kHz frequency response. ... Read more

Features

• Specially designed for miking guitar cabs
• Laterally mounted capsule for miking guitar cabs face on and extremely close to the signal source
• Super cardioid pattern provides isolation from other on-stage signals
• Lightweight voice coil construction and rigid dome diaphragm provide extended high frequency performance
• Long-wearing capsule assembly

Product Description

The AT822 is ideal for DAT recording as well as television, FM and field applications. Closely-matched elements provide the spatial impact and realism of a live sound field. The compact, lightweight design is perfect for camera-mount use.ELEMENTS: Fixed-charge back plate permanently polarized condenserPOLAR PATTERN: X/Y stereoFREQUENCY RESPONSE: 30-20,000 HzLOW-FREQUENCY ROLL-OFF: 150 Hz, 6 dB/octaveOPEN CIRCUIT SENSITIVITY: ?45 dB (5.6 mV) re 1V at 1 PaCHANNEL BALANCE: 22.5 dBIMPEDANCE: 200 ohms unbalancedMAXIMUM INPUT SOUND LEVEL: 125 dB SPL, 1 kHz at 1%T.H.D.SIGNAL-TO-NOISE RATIO: 70 dB, 1 kHz at 1 PaDYNAMIC RANGE (typical): 101 dB, 1 kHz at Max SPLBATTERY TYPE: 1.5V AA/UM3BATTERY CURRENT / LIFE: 1.2 mA / 1000 hours typical (intermittent use) (alkaline)SWITCH: Off, flat, roll-offWEIGHT: (less cables and accessories) 5.8 oz (165 g)DIMENSIONS: 7.76" (197.0 mm) long, 2.44" (62.0 mm) maximum head width, 0.83" (21.0 mm) body diameterOUTPUT CONNECTOR: Integral 3-pin XLRM-typeCABLES: 1.7' (0.5 m) long, 3-conductor, shielded, vinyl-jacketed, stereo cable with 3-pin XLRF-type connector at microphone end, 3.5 mm stereo mini plug at output end. 10.0' (3.0 m) long, 3-conductor, shielded, vinyl jacketed, stereo cable with 3-pin XLRF-type connector at microphone end, two 3.5 mm mono mini plugs with 1/4" phoneplug adapters at output end. The AT822 is designed for battery operation only. Do not attempt to use when phantom power is present. Poss... ... Read more

Features

• Element
• Condenser
• Polar Pattern
• Cardioid (x2)

Reviews (2)

Portable and wonderful
Having had bad experiences with other mics, I finally ponied up the money for the AT822--and am I ever glad I did. As a trombonist, I've found that recording my instrument in the varied environments I play in--my home, outdoors, concert hall, dance hall--is a difficult proposition. I'm interested in the way I sound to listeners, but most mics are meant to mic an instrument into a PA system, not record the ambience of a room. Outside of expensive concert-hall mics in complex arrangements requiring multiple mics and power, there just aren't too many options for the individual wanting good sound and not-a-lot-of equipment. The AT822 solves this problem for me, and solves it well.

Using an MD Recorder, mic stand, and the AT822, I'm able to mic all my venues and I'm rewarded with excellent recordings--recordings that satisfy everyone who receives a CD. Recording our swing band, the extreme volume that can result of a large ensemble and small room make the roll-off feature a bonus; the recordings come out undistorted even when the record levels go a little higher than I anticipated, and the roll-off isn't as discernable on the final product as with some mics. In the concert hall, I have placed the AT822 in the balcony with no roll-off and have found the recording to be spotless--no hum or weirdness from the electronics, and a final product with genuine spatial feel. I've recorded a trombone choir in a semicircular arrangement (around the center of a church) and been happy with the sound of the instruments beside and slightly behind the mic as well as those within the mics front field-of-view. Even recording my home practices, I'm rewarded with a recording that accurately reflects my sound. Indeed, the AT822 is a microphone for all venues.

The AT822 is sensitive enough to record the drop of a violin bow across an E-string at 100 feet away, but rugged enough to handle 5-feet from a trombonist at fortissimo levels. I'm extremely pleased wtih the AT822. It offers a portable, self-powered solution for the amateur musician at a reasonable price. I wholeheartedly endorse this product, and recommend that others with similar needs for a microphone consider its purchase.

An excellent concert recording microphone
I use this, along with a home-built preamp and a Sony MiniDisc deck, to tape live concerts of my band and others.It does a very good job.The microphone has low self noise, a good stereo image, and excellent frequency response.Since it's single point stereo, it's easy to set up. ... Read more

Product Description

Theis a rugged, lightweight, dynamic headset microphone that provides high-quality voice pickup. It fits securely for active microphone users, such as aerobics instructors and musicians, with low visibility for stage appearances. The WH20 is suitable for any voice communications application where comfort and reliability are required.The WH20 has a cardioid (unidirectional) pickup pattern. This provides greater gain-before-feedback and isolation from ambient noise and other unwanted sound sources, such as air-conditioning, musical instruments and loudspeakers. A carefully shaped frequency?response includes a voice-frequency presence peak and a low-frequency rolloff to compensate for the proximity effect inherent in cardioid microphones during close-talk operation.An integrated elastic CROAKIES headband secures the headset comfortably. The headband, wireframe, and gooseneck are adjustable to accommodate any head size or shape. The WH20 is supplied with a foam windscreen and clothing clip. has a right-angle 1/4 inch phone plug for use with Shure Headset Wireless Microphone Systems, or any unbalanced microphone input. Lightweight wireframe and headband adjust for a secure, comfortable fitExtra-strong, small-diameter attached microphone cable resists breakageCollapsible microphone boom for easy storage and transportationSmooth, natural frequency response comparable to high-quality dynamic hand-held vocal microphonesHigh input clipping level eliminates ... ... Read more

Features

• Extra-strong, small-diameter attached microphone cable resists breakage
• Collapsible microphone boom for easy storage and transportation
• Smooth, natural frequency response comparable to high-quality dynamic hand-held vocal microphones
• High input clipping level eliminates overload distortion
• Reliable at temperature and humidity extremes

Product Description

Features: Cardioid pickup pattern to minimize feedback Wide fequency response Wireless FM transmitter and receiver 15 ft. (4.5m) XLR to 1/4" cable Plastic carrying case ... Read more

Features

• Includes transmitter, receiver, battery, case, and XLR to 1/4" mic cable
• Mic can be used wireless or hardwired
• 50-100 feet maximum effective range
• Frequency response: 100Hz-10kHz

Product Description

For years this condenser microphone has been one of the top choices in the industry for lavalier microphones and can be found installed in many of the top wireless lavalier systems as well.  It also can serve as an acoustic guitar mic mounted in the sound hole. The cardioid pickup pattern ensures the best possible pickup directly in front of the microphone while minimizing external noise, thus resulting in minimal feedback.  The microphone comes with a tie/collar clip and terminates to a power module with battery.  In place of the battery, the microphone can also be powered by 48 volt phantom power. Features:Clip-on lavalier mic also excels in acoustic guitar applicationsProvides crisp, full-sounding voice and instrument pickupOperates on battery or phantom power6' (1.8 m) cable permanently attached between microphone and power module   Specifications:Element: CondenserPolar Pattern: CardioidFrequency Response: 40 - 20,000 HzOpen Circuit Sensitivity: PHANTOM: -44 dB (6.3 mV) re 1V at 1 Pa; BATTERY: -45 dB (5.6 mV) re 1V at 1 PaImpedance: PHANTOM: 200 ohms; BATTERY: 270 ohmsMaximum Input Sound Level: PHANTOM: 135 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 121 dB SPL, 1 kHz at 1% T.H.D.Signal to Noise Rati 65 dB, 1 kHz at 1 PaDynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 92 dB, 1 kHz at Max. SPLPhantom Power Requirements: 9 - 52V, 2 mA typicalBattery T... ... Read more

Features

• Element: Condenser
• Phantom Power Requirements: 9 - 52V, 2 mA typical
• Polar Pattern: Cardioid
• Battery Type: 1
• 5V AA/UM3

Product Description

Protect your mics against wind interference, singers' spit, and maybe even Steven Tyler's lips (no guarantees). ... Read more

Product Description

Product Description

The M2500 Bluetooth headset brings the benefits of wireless freedom in a function rich, fashionable design.Fashionably styled, the M2500 brings quality wireless communication to all Bluetooth mobile phone users. With up to 5 hours of talk time and up to 120 hours of standby time you can make or receive calls with complete freedom.Designed for comfort, the M2500 delivers a perfectly balanced wearing style that can be discreetly worn all day long. Also featuring the SoundGuide earpieces that seal and fit to your ear, the quality of the heard conversation is enhanced. Feature rich, the intuitive call control button gives you the freedom to answer and end calls with one touch, call the last number dialed, reject an incoming call and access the voice dialing function of compatible mobile phones. The omni-directional microphone ensures you can be heard clearly and comfortably. ... Read more

Product Description

moving coil dynamic design * unidirectional cardioid polar pattern * frequency response 60-15,000 Hz * rugged metal construction * weight: 10 oz. without cord * 2-1/8"W x 2-1/8"H x 6-5/8"L * warranty: 1 year ... Read more

Features

• moving coil dynamic design
• unidirectional cardioid polar pattern
• frequency response 60-15,000 Hz
• rugged metal construction
• weight: 10 oz. without cord

Product Description

The e 815 S is a professional cardioid microphone ideal for vocal and instrument miking, karaoke and club PA. This pack includes three 815-s microphones clips and a handy pouch. ... Read more

Features

• Three stand clips
• Three carrying pouches
• Three E-815S vocal microphones
• Unidirectional vocal microphone

Reviews (1)

Sennheiser's low-cost e815S dynamic mic is a winner!
The e815S is currently Sennheiser's least expensive hand-held (unidirectional) dynamic vocal mic, designed for live performance. It's shape is similar to a Shure SM-58, in that it has an integrated "ball top" wind screen, and a dark gray tapered body. It features an "off-on" switch and a male XLR (balanced, low impedance) output connector.


To compare this mic to another very well known and thought of mic, the e815S has a slightly brighter top end, a less pronounced midrange peak and less low end proximity effect than a Shure SM-58. It also provides a slightly hotter output than an SM-58, probably because of it's neodymium diaphragm design. The diaphragm appears to be mounted very well as it exhibits very little handling noise.


The brighter character of this mic helps a live vocal cut through the "mix" of live instruments. The lower proximity effect (bass boost when held close to the vocalist's mouth),also contributes to a cleaner-sounding signal. The silent off-on switch is a nice bonus too. The cost for this German-made mic is pretty amazing... they can be had in "three packs" for $100, or around $50 for an individual mic.


If you are looking for a good-sounding, durable, low-cost live performance vocal mic, the e815S is definately worth trying out. This is not an inexpensive "knock-off" of another mic; this is a genuine German-made Sennheiser.

... Read more

Product Description

PANASONIC RP-VK18, VOCAL/KARAOKE MICROPHONE ... Read more

Features

• Dynamic unidirectional microphone
• Built-in on/off switch
• 9.8' cable with 3.5mm gold plated mini plug
• Includes 1/4" phone plug adapter
• 100Hz - 10kHz

Product Description

The original NT1 was voted "Best Microphone at Any Price" by the editors of Electronic Musician magazine. The NT1A delivers performance usually associated with higher priced microphones. Features: large capsule (1") with gold-plated membrane; cardioid polar pattern; ultra low noise, transformerless circuitry; state of the art surface mount electronics; heavy-duty satin-nickel finish; internal shock mounting system; gold plated output connectors; true condenser (externally biased); full frequency response. The NT1A will blow you away! ... Read more

Features

• Externally polarised 25 mm (1") condenser
• JFET impedance converter

Product Description

The short length of the AT835b is well-suited for ENG, outdoor recording and other specialized uses. Designed for professional recording, broadcasting and film/TV/video production, it provides a narrow acceptance angle desirable for long-distance sound pickup. It offers excellent sound rejection from the sides and rear of the mic. Features a switchable low-frequency roll-off. Operates on battery or phantom power. Included accessories: AT8405a stand clamp; AT8132 windscreen; battery; protective case.Element: CondenserPolar Pattern: Line + GradientFrequency Response: 40 - 20,000 HzOpen Circuit Sensitivity: PHANTOM: -38 dB (12.5 mV) re 1V at 1 Pa; BATTERY: -39 dB (11.2 mV) re 1V at 1 PaImpedance: PHANTOM: 500 ohms; BATTERY: 600 ohmsMaximum Input Sound Level: PHANTOM: 130 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 115 dB SPL, 1 kHz at 1% T.H.D.Signal to Noise Ratio: 70 dB, 1 kHz at 1 PaDynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 91 dB, 1 kHz at Max. SPLPhantom Power Requirements: 9 - 52V, 2 mA typicalBattery Type: 1.5V AA/UM3Battery Current/Life: 0.4 mA/1200 hours typicalSwitch: Flat/roll-offLow Frequency Roll-off: 180 Hz, 12 dB per octaveWeight: 5.3 oz (150 g)Output Connector: XLRM-type ... Read more

Features

• Element Phantom Power Requirements
• Condenser
• 9 - 52V, 2 mA typical
• Polar Pattern Battery Type

Product Description

Made in USA!Resulting from over a decade of active development, the M179 is one of the first in a new generation of CAD condenser microphones. The M179 features a dual sided, externally biased capsule with a gold sputtered 1.1" diaphragm.The M179 is the only microphone in this format that allows virtually limitless variable pattern control. ... Read more

Features

• Type: Side Address, External bias condenser
• Frequency Response: 10-20 kHz
• Polar Pattern: Variable
• Powering: Minimum Requirements are 24, 48 Volt Phantom Power capable of delivering at least 8 mA.
• Connector: Three pin male XLR type.

Product Description

The Tube MP is a tube mircrophone preamp that offers a superb level of sound quality, using a special tube and integrated circuit design combined with a straightforward user interface to quickly and easily access all of its many features. The main application of the Tube MP is as a microphone preamplifier but you can use it to interface any instrument directly to a console, amplifier, signal processor or recorder or it can be used a direct box, particularly for bass guitar. ... Read more

Features

• Hand-selected 12AX7A vacuum tube
• Provides over 60dB of gain
• Variable input and output gain controls
• Excellent as a Tube Direct Box
• XLR and 1/4" inputs and outputs